Fernando Bayona

Spain, 1980.
Lives and works between Madrid, Málaga y Granada.

Fernando Bayona

The Life of the Other: The News

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Available in 3 sizes: Ed. 3: 65x53cm, Ed. 3: 106x84cm & Ed. 2: 135x106cm.

135 x 106 cm

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A research project halfway between documentary and staged photography composed of 16 images, the project reflects on the use of the body as work support by three professional collectives, that is, as an object of intangible desire, in the case of strippers or porn actors, or those that are subordinated through an economic consideration, in the case of the hustlers The title of the series refers to the game of identities and fictions carried out by these workers to protect their privacy. A sort of "alter egos" or virtual masks that dissociate them from their person, a construct of themselves created to develop their profession through the representation of a feigned character, which mutates to adapt to the work demands or demands of different clients, thus becoming - consciously or unconsciously - permanent actors of the same and endowing it with a very specific life and characteristics. The initial phase of the project is based on interviews with the different participants of the study, thus realizing an approach to the real person, depriving it of the protective device of the mask to be able to understand its reality, its experiences and experiences. Starting from the stories obtained, the project reconstructs photographically some of the passages of its intense life, a mise en scène that gives visibility to stories that tend to be hidden by shame or fear of social rejection due to the stigmatization of the profession, a way to make public something that in nature is very intimate and personal. The characters appearing in each image are played by professional actors, who feel and suffer the lives of the real protagonists, and mix with them who reinterpret their own experiences. This is established as a strategy agreed with each and every one of them to preserve their anonymity despite showing their face before the camera. A double fiction, that of the character that this typology of professionals creates for themselves and protects them from society, and that they have to interpret in the photographic capture within the project, generating permanent doubt in the viewer who does not know who is the real and who the interpreter or interpreted. The project explores the special life characteristics of these workers, deepening in issues such as repressed desire, relationships, affective problems, the cultural environment, immigration, the profile of clients, different sexual practices, illness , loneliness, social stigma or double standards of citizenship among many other tangential issues. A kind of parallel reality in which economic, cultural, religious, health, or simple personal decisions are interrelated that tend to occur in the limits between the public and the private.

Please provide name and email for information


5.00 m 3.00 m

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Fernando Bayona

The Life of the Other: The Last Time

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Available in 3 sizes: Ed. 3: 65x53cm, Ed. 3: 106x84cm & Ed. 2: 135x106cm.

65 x 53 cm

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A research project halfway between documentary and staged photography composed of 16 images, the project reflects on the use of the body as work support by three professional collectives, that is, as an object of intangible desire, in the case of strippers or porn actors, or those that are subordinated through an economic consideration, in the case of the hustlers The title of the series refers to the game of identities and fictions carried out by these workers to protect their privacy. A sort of "alter egos" or virtual masks that dissociate them from their person, a construct of themselves created to develop their profession through the representation of a feigned character, which mutates to adapt to the work demands or demands of different clients, thus becoming - consciously or unconsciously - permanent actors of the same and endowing it with a very specific life and characteristics. The initial phase of the project is based on interviews with the different participants of the study, thus realizing an approach to the real person, depriving it of the protective device of the mask to be able to understand its reality, its experiences and experiences. Starting from the stories obtained, the project reconstructs photographically some of the passages of its intense life, a mise en scène that gives visibility to stories that tend to be hidden by shame or fear of social rejection due to the stigmatization of the profession, a way to make public something that in nature is very intimate and personal. The characters appearing in each image are played by professional actors, who feel and suffer the lives of the real protagonists, and mix with them who reinterpret their own experiences. This is established as a strategy agreed with each and every one of them to preserve their anonymity despite showing their face before the camera. A double fiction, that of the character that this typology of professionals creates for themselves and protects them from society, and that they have to interpret in the photographic capture within the project, generating permanent doubt in the viewer who does not know who is the real and who the interpreter or interpreted. The project explores the special life characteristics of these workers, deepening in issues such as repressed desire, relationships, affective problems, the cultural environment, immigration, the profile of clients, different sexual practices, illness , loneliness, social stigma or double standards of citizenship among many other tangential issues. A kind of parallel reality in which economic, cultural, religious, health, or simple personal decisions are interrelated that tend to occur in the limits between the public and the private.

Please provide name and email for information


5.00 m 3.00 m

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Fernando Bayona

The Life of the Other: The Client

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Available in 3 sizes: Ed. 3: 65x53cm, Ed. 3: 106x84cm & Ed. 2: 135x106cm.

65 x 53 cm

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A research project halfway between documentary and staged photography composed of 16 images, the project reflects on the use of the body as work support by three professional collectives, that is, as an object of intangible desire, in the case of strippers or porn actors, or those that are subordinated through an economic consideration, in the case of the hustlers The title of the series refers to the game of identities and fictions carried out by these workers to protect their privacy. A sort of "alter egos" or virtual masks that dissociate them from their person, a construct of themselves created to develop their profession through the representation of a feigned character, which mutates to adapt to the work demands or demands of different clients, thus becoming - consciously or unconsciously - permanent actors of the same and endowing it with a very specific life and characteristics. The initial phase of the project is based on interviews with the different participants of the study, thus realizing an approach to the real person, depriving it of the protective device of the mask to be able to understand its reality, its experiences and experiences. Starting from the stories obtained, the project reconstructs photographically some of the passages of its intense life, a mise en scène that gives visibility to stories that tend to be hidden by shame or fear of social rejection due to the stigmatization of the profession, a way to make public something that in nature is very intimate and personal. The characters appearing in each image are played by professional actors, who feel and suffer the lives of the real protagonists, and mix with them who reinterpret their own experiences. This is established as a strategy agreed with each and every one of them to preserve their anonymity despite showing their face before the camera. A double fiction, that of the character that this typology of professionals creates for themselves and protects them from society, and that they have to interpret in the photographic capture within the project, generating permanent doubt in the viewer who does not know who is the real and who the interpreter or interpreted. The project explores the special life characteristics of these workers, deepening in issues such as repressed desire, relationships, affective problems, the cultural environment, immigration, the profile of clients, different sexual practices, illness , loneliness, social stigma or double standards of citizenship among many other tangential issues. A kind of parallel reality in which economic, cultural, religious, health, or simple personal decisions are interrelated that tend to occur in the limits between the public and the private.

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

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Fernando Bayona

The Life of the Other: Motel Capri

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Available in 3 sizes: Ed. 3: 65x53cm, Ed. 3: 106x84cm & Ed. 2: 135x106cm.

65 x 53 cm

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A research project halfway between documentary and staged photography composed of 16 images, the project reflects on the use of the body as work support by three professional collectives, that is, as an object of intangible desire, in the case of strippers or porn actors, or those that are subordinated through an economic consideration, in the case of the hustlers The title of the series refers to the game of identities and fictions carried out by these workers to protect their privacy. A sort of "alter egos" or virtual masks that dissociate them from their person, a construct of themselves created to develop their profession through the representation of a feigned character, which mutates to adapt to the work demands or demands of different clients, thus becoming - consciously or unconsciously - permanent actors of the same and endowing it with a very specific life and characteristics. The initial phase of the project is based on interviews with the different participants of the study, thus realizing an approach to the real person, depriving it of the protective device of the mask to be able to understand its reality, its experiences and experiences. Starting from the stories obtained, the project reconstructs photographically some of the passages of its intense life, a mise en scène that gives visibility to stories that tend to be hidden by shame or fear of social rejection due to the stigmatization of the profession, a way to make public something that in nature is very intimate and personal. The characters appearing in each image are played by professional actors, who feel and suffer the lives of the real protagonists, and mix with them who reinterpret their own experiences. This is established as a strategy agreed with each and every one of them to preserve their anonymity despite showing their face before the camera. A double fiction, that of the character that this typology of professionals creates for themselves and protects them from society, and that they have to interpret in the photographic capture within the project, generating permanent doubt in the viewer who does not know who is the real and who the interpreter or interpreted. The project explores the special life characteristics of these workers, deepening in issues such as repressed desire, relationships, affective problems, the cultural environment, immigration, the profile of clients, different sexual practices, illness , loneliness, social stigma or double standards of citizenship among many other tangential issues. A kind of parallel reality in which economic, cultural, religious, health, or simple personal decisions are interrelated that tend to occur in the limits between the public and the private.

Please provide name and email for information


5.00 m 3.00 m

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Fernando Bayona

The Life of the Other: Burning Man

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Available in 3 sizes: Ed. 3: 65x53cm, Ed. 3: 106x84cm & Ed. 2: 135x106cm.

135 x 106 cm

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A research project halfway between documentary and staged photography composed of 16 images, the project reflects on the use of the body as work support by three professional collectives, that is, as an object of intangible desire, in the case of strippers or porn actors, or those that are subordinated through an economic consideration, in the case of the hustlers The title of the series refers to the game of identities and fictions carried out by these workers to protect their privacy. A sort of "alter egos" or virtual masks that dissociate them from their person, a construct of themselves created to develop their profession through the representation of a feigned character, which mutates to adapt to the work demands or demands of different clients, thus becoming - consciously or unconsciously - permanent actors of the same and endowing it with a very specific life and characteristics. The initial phase of the project is based on interviews with the different participants of the study, thus realizing an approach to the real person, depriving it of the protective device of the mask to be able to understand its reality, its experiences and experiences. Starting from the stories obtained, the project reconstructs photographically some of the passages of its intense life, a mise en scène that gives visibility to stories that tend to be hidden by shame or fear of social rejection due to the stigmatization of the profession, a way to make public something that in nature is very intimate and personal. The characters appearing in each image are played by professional actors, who feel and suffer the lives of the real protagonists, and mix with them who reinterpret their own experiences. This is established as a strategy agreed with each and every one of them to preserve their anonymity despite showing their face before the camera. A double fiction, that of the character that this typology of professionals creates for themselves and protects them from society, and that they have to interpret in the photographic capture within the project, generating permanent doubt in the viewer who does not know who is the real and who the interpreter or interpreted. The project explores the special life characteristics of these workers, deepening in issues such as repressed desire, relationships, affective problems, the cultural environment, immigration, the profile of clients, different sexual practices, illness , loneliness, social stigma or double standards of citizenship among many other tangential issues. A kind of parallel reality in which economic, cultural, religious, health, or simple personal decisions are interrelated that tend to occur in the limits between the public and the private.

Please provide name and email for information


5.00 m 3.00 m

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Fernando Bayona

La lección de esgrima

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Available in 3 sizes: Ed. 3: 65x53cm, Ed. 3: 106x84cm & Ed. 2: 135x106cm.

135 x 106 cm

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Fernando Bayona

Piel de asno

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Available in 3 sizes: Ed. 3: 65x53cm, Ed. 3: 106x84cm & Ed. 2: 135x106cm.

135 x 106 cm

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Fernando Bayona

Circus Christi: Anunciación

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Available in 3 sizes: Ed. 3: 65x53cm, Ed. 3: 106x84cm & Ed. 2: 135x106cm.

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A subversive new version of the life of Jesus, located on the periphery of any large city and temporarily set from the 70s until today. A cast of actors undertakes the interpretations of fictional characters that bear great parallels with those that actually appear in the New Testament gospels. The project analyzes the limits of the alteration of History, the freedom of expression and the meaning that dogmatic scorn has in today's society. It thus enters into conflict with the ideological, cultural and economic interests of religious or political groups that try to censor any type of manifestation that threatens the bases on which their sources of power are based. The 14 images that make up Circus Christi represent a contemporary way of life that narrates the intense life of Jesus, the vocalist and leader of the fictional music group Circus Christi. The initial 3 shots are set in the early 70's when his father José, a small-time camel is sentenced in jail, and his mother María is forced to work as a prostitute to support her family.

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Fernando Bayona

Circus Christi: Nacimiento

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Available in 3 sizes: Ed. 3: 65x53cm, Ed. 3: 106x84cm & Ed. 2: 135x106cm.

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A subversive new version of the life of Jesus, located on the periphery of any large city and temporarily set from the 70s until today. A cast of actors undertakes the interpretations of fictional characters that bear great parallels with those that actually appear in the New Testament gospels. The project analyzes the limits of the alteration of History, the freedom of expression and the meaning that dogmatic scorn has in today's society. It thus enters into conflict with the ideological, cultural and economic interests of religious or political groups that try to censor any type of manifestation that threatens the bases on which their sources of power are based. The 14 images that make up Circus Christi represent a contemporary way of life that narrates the intense life of Jesus, the vocalist and leader of the fictional music group Circus Christi. The initial 3 shots are set in the early 70's when his father José, a small-time camel is sentenced in jail, and his mother María is forced to work as a prostitute to support her family.

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Fernando Bayona

Circus Christi: Jesús y Maria Magdalena

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Available in 3 sizes: Ed. 3: 65x53cm, Ed. 3: 106x84cm & Ed. 2: 135x106cm.

135 x 106 cm

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A subversive new version of the life of Jesus, located on the periphery of any large city and temporarily set from the 70s until today. A cast of actors undertakes the interpretations of fictional characters that bear great parallels with those that actually appear in the New Testament gospels. The project analyzes the limits of the alteration of History, the freedom of expression and the meaning that dogmatic scorn has in today's society. It thus enters into conflict with the ideological, cultural and economic interests of religious or political groups that try to censor any type of manifestation that threatens the bases on which their sources of power are based. The 14 images that make up Circus Christi represent a contemporary way of life that narrates the intense life of Jesus, the vocalist and leader of the fictional music group Circus Christi. The initial 3 shots are set in the early 70's when his father José, a small-time camel is sentenced in jail, and his mother María is forced to work as a prostitute to support her family.

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5.00 m 3.00 m

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Fernando Bayona

Circus Christi: El bautismo

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Available in 3 sizes: Ed. 3: 65x53cm, Ed. 3: 106x84cm & Ed. 2: 135x106cm.

135 x 106 cm

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A subversive new version of the life of Jesus, located on the periphery of any large city and temporarily set from the 70s until today. A cast of actors undertakes the interpretations of fictional characters that bear great parallels with those that actually appear in the New Testament gospels. The project analyzes the limits of the alteration of History, the freedom of expression and the meaning that dogmatic scorn has in today's society. It thus enters into conflict with the ideological, cultural and economic interests of religious or political groups that try to censor any type of manifestation that threatens the bases on which their sources of power are based. The 14 images that make up Circus Christi represent a contemporary way of life that narrates the intense life of Jesus, the vocalist and leader of the fictional music group Circus Christi. The initial 3 shots are set in the early 70's when his father José, a small-time camel is sentenced in jail, and his mother María is forced to work as a prostitute to support her family.

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Fernando Bayona

Circus Christi: Jesús predicando

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Available in 3 sizes: Ed. 3: 65x53cm, Ed. 3: 106x84cm & Ed. 2: 135x106cm.

135 x 106 cm

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A subversive new version of the life of Jesus, located on the periphery of any large city and temporarily set from the 70s until today. A cast of actors undertakes the interpretations of fictional characters that bear great parallels with those that actually appear in the New Testament gospels. The project analyzes the limits of the alteration of History, the freedom of expression and the meaning that dogmatic scorn has in today's society. It thus enters into conflict with the ideological, cultural and economic interests of religious or political groups that try to censor any type of manifestation that threatens the bases on which their sources of power are based. The 14 images that make up Circus Christi represent a contemporary way of life that narrates the intense life of Jesus, the vocalist and leader of the fictional music group Circus Christi. The initial 3 shots are set in the early 70's when his father José, a small-time camel is sentenced in jail, and his mother María is forced to work as a prostitute to support her family.

Please provide name and email for information


5.00 m 3.00 m

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Fernando Bayona

Circus Christi: La última cena

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Available in 3 sizes: Ed. 3: 65x53cm, Ed. 3: 106x84cm & Ed. 2: 135x106cm.

135 x 106 cm

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A subversive new version of the life of Jesus, located on the periphery of any large city and temporarily set from the 70s until today. A cast of actors undertakes the interpretations of fictional characters that bear great parallels with those that actually appear in the New Testament gospels. The project analyzes the limits of the alteration of History, the freedom of expression and the meaning that dogmatic scorn has in today's society. It thus enters into conflict with the ideological, cultural and economic interests of religious or political groups that try to censor any type of manifestation that threatens the bases on which their sources of power are based. The 14 images that make up Circus Christi represent a contemporary way of life that narrates the intense life of Jesus, the vocalist and leader of the fictional music group Circus Christi. The initial 3 shots are set in the early 70's when his father José, a small-time camel is sentenced in jail, and his mother María is forced to work as a prostitute to support her family.

Please provide name and email for information


5.00 m 3.00 m

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Fernando Bayona

Circus Christi: El beso de Judas

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Available in 3 sizes: Ed. 3: 65x53cm, Ed. 3: 106x84cm & Ed. 2: 135x106cm.

135 x 106 cm

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A subversive new version of the life of Jesus, located on the periphery of any large city and temporarily set from the 70s until today. A cast of actors undertakes the interpretations of fictional characters that bear great parallels with those that actually appear in the New Testament gospels. The project analyzes the limits of the alteration of History, the freedom of expression and the meaning that dogmatic scorn has in today's society. It thus enters into conflict with the ideological, cultural and economic interests of religious or political groups that try to censor any type of manifestation that threatens the bases on which their sources of power are based. The 14 images that make up Circus Christi represent a contemporary way of life that narrates the intense life of Jesus, the vocalist and leader of the fictional music group Circus Christi. The initial 3 shots are set in the early 70's when his father José, a small-time camel is sentenced in jail, and his mother María is forced to work as a prostitute to support her family.

Please provide name and email for information


5.00 m 3.00 m

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Fernando Bayona

Circus Christi: Crucifixión

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Available in 3 sizes: Ed. 3: 65x53cm, Ed. 3: 106x84cm & Ed. 2: 135x106cm.

135 x 106 cm

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A subversive new version of the life of Jesus, located on the periphery of any large city and temporarily set from the 70s until today. A cast of actors undertakes the interpretations of fictional characters that bear great parallels with those that actually appear in the New Testament gospels. The project analyzes the limits of the alteration of History, the freedom of expression and the meaning that dogmatic scorn has in today's society. It thus enters into conflict with the ideological, cultural and economic interests of religious or political groups that try to censor any type of manifestation that threatens the bases on which their sources of power are based. The 14 images that make up Circus Christi represent a contemporary way of life that narrates the intense life of Jesus, the vocalist and leader of the fictional music group Circus Christi. The initial 3 shots are set in the early 70's when his father José, a small-time camel is sentenced in jail, and his mother María is forced to work as a prostitute to support her family.

Please provide name and email for information


5.00 m 3.00 m

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Fernando Bayona

Circus Christi: Jesus yacente

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Available in 3 sizes: Ed. 3: 65x53cm, Ed. 3: 106x84cm & Ed. 2: 135x106cm.

135 x 106 cm

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A subversive new version of the life of Jesus, located on the periphery of any large city and temporarily set from the 70s until today. A cast of actors undertakes the interpretations of fictional characters that bear great parallels with those that actually appear in the New Testament gospels. The project analyzes the limits of the alteration of History, the freedom of expression and the meaning that dogmatic scorn has in today's society. It thus enters into conflict with the ideological, cultural and economic interests of religious or political groups that try to censor any type of manifestation that threatens the bases on which their sources of power are based. The 14 images that make up Circus Christi represent a contemporary way of life that narrates the intense life of Jesus, the vocalist and leader of the fictional music group Circus Christi. The initial 3 shots are set in the early 70's when his father José, a small-time camel is sentenced in jail, and his mother María is forced to work as a prostitute to support her family.

Please provide name and email for information


5.00 m 3.00 m

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Fernando Bayona

Circus Christi: Resurreción

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Available in 3 sizes: Ed. 3: 65x53cm, Ed. 3: 106x84cm & Ed. 2: 135x106cm.

135 x 106 cm

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A subversive new version of the life of Jesus, located on the periphery of any large city and temporarily set from the 70s until today. A cast of actors undertakes the interpretations of fictional characters that bear great parallels with those that actually appear in the New Testament gospels. The project analyzes the limits of the alteration of History, the freedom of expression and the meaning that dogmatic scorn has in today's society. It thus enters into conflict with the ideological, cultural and economic interests of religious or political groups that try to censor any type of manifestation that threatens the bases on which their sources of power are based. The 14 images that make up Circus Christi represent a contemporary way of life that narrates the intense life of Jesus, the vocalist and leader of the fictional music group Circus Christi. The initial 3 shots are set in the early 70's when his father José, a small-time camel is sentenced in jail, and his mother María is forced to work as a prostitute to support her family.

Please provide name and email for information


5.00 m 3.00 m

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Fernando Bayona

Circus Christi: La piedad

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Available in 3 sizes: Ed. 3: 65x53cm, Ed. 3: 106x84cm & Ed. 2: 135x106cm.

135 x 106 cm

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A subversive new version of the life of Jesus, located on the periphery of any large city and temporarily set from the 70s until today. A cast of actors undertakes the interpretations of fictional characters that bear great parallels with those that actually appear in the New Testament gospels. The project analyzes the limits of the alteration of History, the freedom of expression and the meaning that dogmatic scorn has in today's society. It thus enters into conflict with the ideological, cultural and economic interests of religious or political groups that try to censor any type of manifestation that threatens the bases on which their sources of power are based. The 14 images that make up Circus Christi represent a contemporary way of life that narrates the intense life of Jesus, the vocalist and leader of the fictional music group Circus Christi. The initial 3 shots are set in the early 70's when his father José, a small-time camel is sentenced in jail, and his mother María is forced to work as a prostitute to support her family.

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5.00 m 3.00 m

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Fernando Bayona

Circus Christi: La duda de Tómas

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Available in 3 sizes: Ed. 3: 65x53cm, Ed. 3: 106x84cm & Ed. 2: 135x106cm.

135 x 106 cm

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A subversive new version of the life of Jesus, located on the periphery of any large city and temporarily set from the 70s until today. A cast of actors undertakes the interpretations of fictional characters that bear great parallels with those that actually appear in the New Testament gospels. The project analyzes the limits of the alteration of History, the freedom of expression and the meaning that dogmatic scorn has in today's society. It thus enters into conflict with the ideological, cultural and economic interests of religious or political groups that try to censor any type of manifestation that threatens the bases on which their sources of power are based. The 14 images that make up Circus Christi represent a contemporary way of life that narrates the intense life of Jesus, the vocalist and leader of the fictional music group Circus Christi. The initial 3 shots are set in the early 70's when his father José, a small-time camel is sentenced in jail, and his mother María is forced to work as a prostitute to support her family.

Please provide name and email for information


5.00 m 3.00 m

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Fernando Bayona

Out of the Blue: At Home

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65 x 53 cm

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Something that happens unexpectedly and places us in a kind of vertex. From that point, it is difficult not to see one's existence as something dividing us forever in before and after. The diagnosis of a disease that will change us without remission, the arrival of someone who gives a turnaround to our universe or a circumstance which shakes the fundaments of what we known. Certainly, the Anglo-Saxon expression Out of the blue can refer to that something good or bad appearing out of nowhere -without previous warning. However, Fernando Bayona has focused its search on that uncertainty that is based within us. Leaving us in a deep state of melancholy. In out of the blue, the Bayona’s story becomes opaque, placing a singular emphasis on life’s mystery, in the eyes of all inexplicable, and that we will pose before the scene photographed in a disturbing diatribe: Something ends to happen, yet that something is in the mood of the characters. In some of these images, our contaminated look could reach erroneous conclusions, perhaps dark and remote. In an interesting shooting that drinks from the cinematographic schemes, Bayona stages a collection of real locations that have been photographed in exceptional light conditions - thanks to a generator moved through out the different scenarios- then post-produced with an intense complex processed addressing the image from a pictorial point of view. The artist, finally, lets us decide how do they correspond to inside or outside, so that the expectation’s experiences and imagination become essential to the story’s interpretation.

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Fernando Bayona

EXHIBITIONS

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Available in 3 sizes: Ed. 3: 65x53cm, Ed. 3: 106x84cm & Ed. 2: 135x106cm.

135 x 106 cm

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Fernando Bayona

Out of the Blue: Street

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65 x 53 cm

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Something that happens unexpectedly and places us in a kind of vertex. From that point, it is difficult not to see one's existence as something dividing us forever in before and after. The diagnosis of a disease that will change us without remission, the arrival of someone who gives a turnaround to our universe or a circumstance which shakes the fundaments of what we known. Certainly, the Anglo-Saxon expression Out of the blue can refer to that something good or bad appearing out of nowhere -without previous warning. However, Fernando Bayona has focused its search on that uncertainty that is based within us. Leaving us in a deep state of melancholy. In out of the blue, the Bayona’s story becomes opaque, placing a singular emphasis on life’s mystery, in the eyes of all inexplicable, and that we will pose before the scene photographed in a disturbing diatribe: Something ends to happen, yet that something is in the mood of the characters. In some of these images, our contaminated look could reach erroneous conclusions, perhaps dark and remote. In an interesting shooting that drinks from the cinematographic schemes, Bayona stages a collection of real locations that have been photographed in exceptional light conditions - thanks to a generator moved through out the different scenarios- then post-produced with an intense complex processed addressing the image from a pictorial point of view. The artist, finally, lets us decide how do they correspond to inside or outside, so that the expectation’s experiences and imagination become essential to the story’s interpretation.

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Fernando Bayona

Out of the Blue: Still Life

Impresión Ink Jet

Available in 3 sizes: Ed. 3: 65x53cm, Ed. 3: 106x84cm & Ed. 2: 135x106cm.

135 x 106 cm

More
View in Room
inquire

Something that happens unexpectedly and places us in a kind of vertex. From that point, it is difficult not to see one's existence as something dividing us forever in before and after. The diagnosis of a disease that will change us without remission, the arrival of someone who gives a turnaround to our universe or a circumstance which shakes the fundaments of what we known. Certainly, the Anglo-Saxon expression Out of the blue can refer to that something good or bad appearing out of nowhere -without previous warning. However, Fernando Bayona has focused its search on that uncertainty that is based within us. Leaving us in a deep state of melancholy. In out of the blue, the Bayona’s story becomes opaque, placing a singular emphasis on life’s mystery, in the eyes of all inexplicable, and that we will pose before the scene photographed in a disturbing diatribe: Something ends to happen, yet that something is in the mood of the characters. In some of these images, our contaminated look could reach erroneous conclusions, perhaps dark and remote. In an interesting shooting that drinks from the cinematographic schemes, Bayona stages a collection of real locations that have been photographed in exceptional light conditions - thanks to a generator moved through out the different scenarios- then post-produced with an intense complex processed addressing the image from a pictorial point of view. The artist, finally, lets us decide how do they correspond to inside or outside, so that the expectation’s experiences and imagination become essential to the story’s interpretation.

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Fernando Bayona

Out of the Blue: Green Light

Impresión Ink Jet

Available in 3 sizes: Ed. 3: 65x53cm, Ed. 3: 106x84cm & Ed. 2: 135x106cm.

65 x 53 cm

More
View in Room
inquire

Something that happens unexpectedly and places us in a kind of vertex. From that point, it is difficult not to see one's existence as something dividing us forever in before and after. The diagnosis of a disease that will change us without remission, the arrival of someone who gives a turnaround to our universe or a circumstance which shakes the fundaments of what we known. Certainly, the Anglo-Saxon expression Out of the blue can refer to that something good or bad appearing out of nowhere -without previous warning. However, Fernando Bayona has focused its search on that uncertainty that is based within us. Leaving us in a deep state of melancholy. In out of the blue, the Bayona’s story becomes opaque, placing a singular emphasis on life’s mystery, in the eyes of all inexplicable, and that we will pose before the scene photographed in a disturbing diatribe: Something ends to happen, yet that something is in the mood of the characters. In some of these images, our contaminated look could reach erroneous conclusions, perhaps dark and remote. In an interesting shooting that drinks from the cinematographic schemes, Bayona stages a collection of real locations that have been photographed in exceptional light conditions - thanks to a generator moved through out the different scenarios- then post-produced with an intense complex processed addressing the image from a pictorial point of view. The artist, finally, lets us decide how do they correspond to inside or outside, so that the expectation’s experiences and imagination become essential to the story’s interpretation. Pedro Alarcón, Curator, Spain.

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Fernando Bayona

Out of the Blue: Boy

Impresión Ink Jet

Available in 3 sizes: Ed. 3: 65x53cm, Ed. 3: 106x84cm & Ed. 2: 135x106cm.

65 x 53 cm

More
View in Room
inquire

Something that happens unexpectedly and places us in a kind of vertex. From that point, it is difficult not to see one's existence as something dividing us forever in before and after. The diagnosis of a disease that will change us without remission, the arrival of someone who gives a turnaround to our universe or a circumstance which shakes the fundaments of what we known. Certainly, the Anglo-Saxon expression Out of the blue can refer to that something good or bad appearing out of nowhere -without previous warning. However, Fernando Bayona has focused its search on that uncertainty that is based within us. Leaving us in a deep state of melancholy. In out of the blue, the Bayona’s story becomes opaque, placing a singular emphasis on life’s mystery, in the eyes of all inexplicable, and that we will pose before the scene photographed in a disturbing diatribe: Something ends to happen, yet that something is in the mood of the characters. In some of these images, our contaminated look could reach erroneous conclusions, perhaps dark and remote. In an interesting shooting that drinks from the cinematographic schemes, Bayona stages a collection of real locations that have been photographed in exceptional light conditions - thanks to a generator moved through out the different scenarios- then post-produced with an intense complex processed addressing the image from a pictorial point of view. The artist, finally, lets us decide how do they correspond to inside or outside, so that the expectation’s experiences and imagination become essential to the story’s interpretation.

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Fernando Bayona

Spain, 1980.
Lives and works between Madrid, Málaga y Granada.

FERNANDO BAYONA. (Jaén, Spain, 1980) Lives and works in Madrid & Granada.

       Bachelor in Arts by the University of Granada and a Master in Photography by the Universidad NABA Milán, Itay, amongst other diplomas he is an artist, College professor, keynote speaker and art promoter. 

Bayona’s oeuvre has been exhibited at Nueva York, Buenos Aires, Bruselas, Berlín, Milán, Roma, Venecia, Osaka, Túnez, trhoughout Spain and Mexico City with ALMANAQUE featuring his work at Material Art Fair, Arco Madrid, arteBA Buenos Aires and Photo London, followed by his solo show “Appearances Apparatus” at ALMANAQUE, curated by the artist and Arturo Delgado, with a text by the preeminent art historian Alberto Ríos de la Rosa.

    Bayona is recipient of the Manuel Rivera Iniciarte, Propuestas VEGAP, BilbaoArte - Spain, Eberhard y BSI-Switzerland, KabushikiKaisha-Japan, Agencia Magnum & NABA - Italy, Estampa Madrid, Unicaja, Fundación Arena and The SONY World Photography Awards among others.

Available works:

Circus Christi 

A subversive new version of the life of Jesus, located on the periphery of any large city and temporarily set from the 70s until today. A cast of actors undertakes the interpretations of fictional characters that bear great parallels with those that actually appear in the New Testament gospels.

The project analyzes the limits of the alteration of History, the freedom of expression and the meaning that dogmatic scorn has in today's society. It thus enters into conflict with the ideological, cultural and economic interests of religious or political groups that try to censor any type of manifestation that threatens the bases on which their sources of power are based.

The 14 images that make up Circus Christi represent a contemporary way of life that narrates the intense life of Jesus, the vocalist and leader of the fictional music group Circus Christi. The initial 3 shots are set in the early 70's when his father José, a small-time camel is sentenced in jail, and his mother María is forced to work as a prostitute to support her family.

Fernando Bayona, Artist, Spain.

Out of the Blue

Something that happens unexpectedly and places us in a kind of vertex. From that point, it is difficult not to see one's existence as something dividing us forever in before and after. The diagnosis of a disease that will change us without remission, the arrival of someone who gives a turnaround to our universe or a circumstance which shakes the fundaments of what we known. Certainly, the Anglo-Saxon expression Out of the blue can refer to that something good or bad appearing out of nowhere -without previous warning. However, Fernando Bayona has focused its search on that uncertainty that is based within us.

Leaving us in a deep state of melancholy.

In out of the blue, the Bayona’s story becomes opaque, placing a singular emphasis on life’s mystery, in the eyes of all inexplicable, and that we will pose before the scene photographed in a disturbing diatribe: Something ends to happen, yet that something is in the mood of the characters. In some of these images, our contaminated look could reach erroneous conclusions, perhaps dark and remote.

In an interesting shooting that drinks from the cinematographic schemes, Bayona stages a collection of real locations that have been photographed in exceptional light conditions - thanks to a generator moved through out the different scenarios- then post-produced with an intense complex processed addressing the image from a pictorial point of view.

The artist, finally, lets us decide how do they correspond to inside or outside, so that the expectation’s experiences and imagination become essential to the story’s interpretation.

Pedro Alarcón, Curator, Spain.

The Life of the Other

A research project halfway between documentary and staged photography composed of 16 images, the project reflects on the use of the body as work support by three professional collectives, that is, as an object of intangible desire, in the case of strippers or porn actors, or those that are subordinated through an economic consideration, in the case of the hustlers

The title of the series refers to the game of identities and fictions carried out by these workers to protect their privacy. A sort of "alter egos" or virtual masks that dissociate them from their person, a construct of themselves created to develop their profession through the representation of a feigned character, which mutates to adapt to the work demands or demands of different clients, thus becoming - consciously or unconsciously - permanent actors of the same and endowing it with a very specific life and characteristics.

The initial phase of the project is based on interviews with the different participants of the study, thus realizing an approach to the real person, depriving it of the protective device of the mask to be able to understand its reality, its experiences and experiences.

Starting from the stories obtained, the project reconstructs photographically some of the passages of its intense life, a mise en scène that gives visibility to stories that tend to be hidden by shame or fear of social rejection due to the stigmatization of the profession, a way to make public something that in nature is very intimate and personal.

The characters appearing in each image are played by professional actors, who feel and suffer the lives of the real protagonists, and mix with them who reinterpret their own experiences. This is established as a strategy agreed with each and every one of them to preserve their anonymity despite showing their face before the camera.

A double fiction, that of the character that this typology of professionals creates for themselves and protects them from society, and that they have to interpret in the photographic capture within the project, generating permanent doubt in the viewer who does not know who is the real and who the interpreter or interpreted.

The project explores the special life characteristics of these workers, deepening in issues such as repressed desire, relationships, affective problems, the cultural environment, immigration, the profile of clients, different sexual practices, illness , loneliness, social stigma or double standards of citizenship among many other tangential issues. A kind of parallel reality in which economic, cultural, religious, health, or simple personal decisions are interrelated that tend to occur in the limits between the public and the private.

Fernando, Bayona, Spain.

DATE

EXHIBITIONS, AWARDS & PUBLICATIONS

LOCATION

2019
"Imperdibles de Gallery Weekend"
La Tempestad, Mexico City
2019
"Artistas LGBT+ que debes ver en Gallery Weekend México", article
Time Out México
2019
"Aparato de apariencias", Solo show
Almanaque fotográfica , Mexico City
2019
"La Memoria", Solo Show
Art Photo BCN, Arts Santa Monica, Barcelona
2019
Photo London, Group show
Stand ALMANAQUE Fotografica, London
2019
Arte BA, Group show
Stand ALMANAQUE Fotografica, Buenos Aires
2019
Material Art Fair, Group show
Stand ALMANAQUE Fotografica, Madrid
2019
"La Memoria Traidora" Solo show
Stand ABC, ARCO Madrid
2018
Zona Maco Foto, Group Show
Stand Galeria Casa Cuadrada, Mexico
2018
"Formar la forma", Group show
Antigua iglesia de San Lorenzo, Úbeda
2018
OUt of the Blue, Solo show
Casa Sostoa, Málafa, Spain
2017
"Maneras de hacer", Group show
Fotografía emergente de la Colección CA2M”. Centro Arte de Alcobendas, Madrid
2017
Nobuyoshi Araki vs Fernando Bayona: In pain.
PhotoEspaña. Galería 6mas1, Madrid.
2017
"Muster ground", Solo show
SegoviaFoto. Palacio de Quintanar, Segovia.
2016
"Paragraph 175", Solo show
Kir Royal Gallery, Madrid.
2016
"Sólo es sexo", Group show. Comisario: Javier Díaz Guardiola
Galería Fernando Pradilla, Madrid
2016
ARTMARBELLA, Group show
Stand Kir royal Gallery, Marbella.
2016
MIA FAIR MILANO, Group show
Stand Kir royal Gallery, Milán, Italia.
2016
ARTEFIERA, Group show
Stand Kir Royal Gallery, Bolonia, Italia.
2016
MIART, Group show
Kir Royal Gallery, Milán, Italia
2015
"Made in Spain", Group show
CAC (Museo de Arte Contemporáneo de Málaga)
2015
ARTCOLOGNE, Group show
Stand Kir Royal Gallery, Colonia, Alemania
2015
"To shave or not to shave", Group show
Alianza Francesa Málaga
2015
ARTLIMA, Group show
Stand Galería 6mas1, Lima, Perú
2015
"Justmad", Group show
Stand Kir Royal Gallery, Madrid
2015
A beautiful new world
Second Nanjing International Arte Festival,Nanjing, China
2015
Acquisition prize XXXVI Certamen de Arte Contemporáneo “Ciudad de Utrera”
Sevilla
2015
Prize EL PÚBLICO a las Artes Plásticas
RadioTelevisión Andaluza
2015
"Made in Spain", Group show
Fundación Luciano Benetton, Venecia, Italia.
2015
"A beautiful new world", Group show
Second Nanjing International Art Festival, Nanjing, China
2015
"Drink me", Group show
Museo Domus Artium de Salamanca
2015
"La vida de los otros", Solo show
Museum García Viedma, Armilla, Granada
2014
"Reverse: Rewriting Culture", Group show
Dot Fiftyone Gallery, Miami, USA
2014
"Don´t look my camera", Group show
Museum de la Imagen de Braga, Braga, Portugal
2014
XI Visual Arts prize Jose Mª Vidal
Fundación Arena, Barcelona
2014
"Dextrocardíaco", Group show
Factoría de Arte y Desarrollo, Madrid
2014
"Creadores", Group show
La Térmica, Málaga
2014
"The life of the other", Solo show
Kir Royal Gallery, Valencia
2013
"El cuerpo (in)subordinado", Solo show
PhotoEspaña. Galería 6mas1, Madrid
2013
ARTMIAMI, Group show
Art Miami Pavilion, Miami, EEUU
2013
IMPULSE
Stand Kir Royal Gallery, Osnabrück, Alemania
2013
Production of scholarship Mejor Proyecto Fotográfico
Bienal de Fotografía de Córdoba
2013
"What never was", Solo show
Bienal Internacional de Fotografía de Córdoba. Teatro Cómico, Córdoba
2013
XII Encuentros de Arte EAC, Group show
Instituto Alicantino de Cultura Juan Gil-Albert. MUA, Alicante
2013
"Vanitas 3", Group show
Centro Cultural La Térmica, Málaga.
2013
"Justmad", Group show
Stand Galería 6mas1, Madrid.
2013
Retrospectiva, Solo show
SegoviaFoto. Palacio Quintanar, Segovia
2012
Production of scholarship BilbaoArte-Fundación Viana
Centro BilbaoArte, Bilbao
2012
Special Prize Fotografía ValenciaCrea
Ayuntamiento de Valencia
2012
Special Mention Certamen ExperimentoBIO12
Ayuntamiento de Bilbao
2012
"Short cuts", Solo show
Galería La Casa Rosa, Málaga
2012
"What never was", Solo show
Galería 6mas1, Madrid
2012
"Circus Christi", Solo show
Kir Royal Gallery, Valencia
2012
Amsterdam Showcase, Group show
De Oude Kerk, Amsterdam, Países Bajos
2012
"Vanitas", Group show
Off Limits Space, Madrid.
2012
"Berlinerliste", Group show
Draftwerk Berlin, Berlín, Alemania.
2012
FIA (XXI Feria Iberoamericana de Arte), Group show
Galería Casa Cuadrada, Caracas, Venezuela
2012
"Mundos Propios: perspecitvas y variaciones en la Fotografía Andaluza de hoy", Group show
Fundación Valentín de Madariaga, Sevilla.
2012
"Justmad", Group show
Stand Galería 6mas1, Madrid.
2012
Photograph of the day: portfolio
PH Museum
2011
"How can I explain it to you ?", Solo show
MUVIM (Museo Valenciano Ilustración y Modernidad), Valencia
2011
"Face to face", Solo show
Diputación de Huelva, Huelva
2011
"Érase una vez", Solo show
Diputación de Cádiz. Sala Rivadavia, Cádiz.
2011
SONY World Photography Awards
Embankment Galleries, Somerset House, Londres, UK
2011
XIV Prize UNICAJA of Photography
Málaga
2011
Prize Collection Fotográfica XII Certamen Fernando Quiñones
Ayunt. de Cádiz
2011
"Arte para el mundo", Group show
Galería Arte x Arte, Buenos Aires, Argentina
2011
"Distopías desencajadas", Group Show
Sala Santa Inés, Sevilla
2011
Madrid Photo
Stand Galería 3 Punts, Madrid
2010
Production of scholarship BSI
Lugano, Suiza
2010
"Recents works: Erwin Olaf & Fernando Bayona"
Centro Arte Contemp., Saint Moritz, Suiza
2010
"Long, long time ago", Solo show
Centro de Arte Contemporáneo BSI, Lugano, Suiza
2010
"Once upon a time & Circus Christi", Solo show
Galeriía 3 Punts, Barcelona
2010
"Circus", Solo show
Centro Damián Bayón, Instituto de America, Santa Fe, Granada
2010
"A sheer marvel" Group show
Suiza
2010
"Circus Christi", Solo show
Universidad de Granada, Granada
2010
"Contra natura", Group show
Museo de la Ciudad, Valencia.
2010
"Espacio Atlántico", Group show
Feria de Arte Contemporáneo de Vigo
2010
"Tableaux vivants", Solo show
Galeria La Lisa, Albacete
2009
Prize ESTAMPA
Comunidad de Madrid, Centro de Arte Dos de Mayo
2009
Madrid Photo, Group show
Stand Galería 3 Punts, Madrid.
2009
Arco, Group show
Stand Iniciarte, Madrid.
2009
Acquisition Prize Certamen Andaluz de Artes Plásticas
Junta de Andalucía
2009
Prize of photography XI Certamen Creación Joven Ciudad de Almería
Ayunt. de Almería
2009
Prize of photography XI Certamen Artes Plásticas
Ayunt. de Granada
2009
"Once upon a time", Solo show
Universidad de Jaén, Jaén
2009
"Lingua Franca [Agresión-Conflicto-Accidente]", Group show
Museo Bellas Artes de Huelva
2009
Prize of photography X Certamen Nacional Fernando Quiñones
Ayuntamiento de Cádiz
2009
Photo Miami
Galería 3 Punts, Miami, EEUU
2008
"Jack Daniel's", Group show
FORMA (Centro Internacional de Fotografia), Milán
2008
"Liquidity", Group show
Galería Go-lab, Milán, Italia
2008
"Milkabouts", Solo show
Centro de Arte Contemporáneo, Palacio de los Condes de Gabia, Granada
2008
Contemporary Art Bienal - Fundación Botí
Palacio de la Merced, Córdoba
2008
Arco, Group show
Stand INICIARTE, Madrid.
2007
Scholarship realisation in Photography and Visual Design
Universidad NABA, Milán
2007
Arco, Group show
Stand Diputación de Málaga, Madrid.
2006
"XV x XX", Group show
Centro de Arte Contemporáneo Damian Bayón, Santa Fe, Granada
2006
Artists scholarship exchange of Human Academy Kabushiki Kaisha
Osaka, Japón
2006
"Art en Balade", Group show
La Grange Peters. Villers L´eveque, Lieja, Bélgica
2005
"Ojos del Sur", Group show
Sede del Parlamento Europeo, Bruselas
2005
Prize EAC, Diputación de Alicante e Instituto Alicantino Juan Gil-Albert
Alicante
2005
V Encuentros de Arte EAC, Group show
Instituto Alicantino de Cultura Juan Gil-Albert. MUA, Alicante.
2005
Pedro Gilabert
Diputación de Almería
2004
Scholarship for Art students Dos orillas del Mediterráneo
Sousse, (Túnez), Grenoble (Francia) y Granada (España)
2004
"Short cuts", Group show
Centro de Arte Contemporáneo Palacio de los Condes de Gabia, Granada
2004
"Dos orillas del Mediterráneo", Group show
Salas de exposiciones de las Universidades de Sousse, Túnez, Grenoble, París y Granada
2004
Scholarship ARCO
Amigos de ARCO, Madrid
2003
Scholarship of Artistic Education del Ministerio de Educación y Cultura
Londres