Davis Henry
Sir Pop-A-Lot: To Know, Is to Know, That to Know, Is Not to Know (#1)
Backlit film over thin-profile light box
Ed.L : 5
Ed.XL: 5
+2 A.P.
L 173 x 51cm x 3
XL 217 x 64cm x 3
2016-2021
Backlit film over thin-profile light box
Approximate view with unframed print. Ask for exact available dimensions
Davis Henry
Sir Pop-A-Lot: To Know, Is to Know, That to Know, Is Not to Know (#2)
Backlit film over thin-profile light box
Ed.L : 5
Ed.XL: 5
+2 A.P.
L 173 x 51cm x 3
XL 217 x 64cm x 3
2016-2021
Backlit film over thin-profile light box
Approximate view with unframed print. Ask for exact available dimensions
Davis Henry
Sir Pop-A-Lot: Mechanical Wizards 1
Inkjet print
S Ed.S : 5
M Ed.M : 3
L Ed.L: 2
+2 A.P.
S 61 x 93 cm
M 91 x 140 cm
L 122 x 229 cm
2016-2021
Approximate view with unframed print. Ask for exact available dimensions
Davis Henry
Sir Pop-A-Lot: Mechanical Wizards 2
Inkjet print
Ed.S : 5
Ed.M : 3
Ed.L: 2
+2 A.P.
S 61 x 93 cm
M 91 x 140 cm
L 122 x 229 cm
2016-2021
Approximate view with unframed print. Ask for exact available dimensions
Davis Henry
Sir Pop-A-Lot: The Beat Goes On
Inkjet print
S Ed.S : 5
M Ed.M : 3
L Ed.L: 2
+2 A.P.
S 61 x 93 cm
M 91 x 140 cm
L 122 x 229 cm
2016-2021
Giclée print
Approximate view with unframed print. Ask for exact available dimensions
Davis Henry
Sir Pop-A-Lot: Heaven on Earth
Inkjet print
S Ed.S : 5
M Ed.M : 3
L Ed.L: 2
+2 A.P.
S 61 x 93 cm
M 91 x 140 cm
L 122 x 229 cm
2016-2021
Approximate view with unframed print. Ask for exact available dimensions
Davis Henry
Sir Pop-A-Lot: Lobster Claw Wrecking Crew
Inkjet print
S Ed.S : 5
M Ed.M : 3
L Ed.L: 2
+2 A.P.
S 79 x 72 cm
M 112 x 103 cm L 148.5 x 135 cm
2016-2021
Approximate view with unframed print. Ask for exact available dimensions
Luke Austin
Environment One
Inkjet print
Ed.M : 7
Ed.L : 3 +2A.P.
M 100 x 100 cm
L 180 x 180 cm
Approximate view with unframed print. Ask for exact available dimensions
Luke Austin
Environment Ten
Inkjet print
Ed.M : 7
Ed.L : 3 +2A.P.
M 100 x 100 cm
L 180 x 180 cm
Approximate view with unframed print. Ask for exact available dimensions
Fernando Bayona
Piel de asno
Inkjet print
Ed. S: 3
Ed. M: 3
Ed. L: 2
+2 A.P.
S 65x53 cm
M 106x84 cm
L 135 x 106 cm
Impresión Ink Jet
Approximate view with unframed print. Ask for exact available dimensions
Fernando Bayona
The Life of the Others: At 7 PM
Inkjet print
Ed. S: 3
Ed. M: 3
Ed. L: 2
+2 A.P.
S 65x53 cm
M 106x84 cm
L 135 x 106 cm
(Español) La serie The life of the others es un proyecto de investigación a medio camino entre fotografía documental y escenificada compuesto por 16 imágenes. El proyecto reflexiona sobre el uso del cuerpo como soporte laboral por tres colectivos profesionales, esto es, como objeto de deseo intangible, caso de los stripper o actores porno, o bien aquellos que son subordinables a través de una contraprestación económica, en el caso de los chaperos. El título de la serie hace referencia al juego de identidades y ficciones llevadas a cabo por estos trabajadores para proteger su intimidad. Una suerte de "álter egos" o máscaras virtuales que los disocia de su persona, un constructo de sí mismos creado para desarrollar su profesión mediante la representación de un personaje fingido, que muta para adaptarse a las exigencias laborales o demandas de los diferentes clientes, convirtiéndose así -consciente o inconscientemente- en actores permanentes del mismo y dotándolo de una vida y características muy concretas. La fase inicial del proyecto se fundamenta en entrevistas a los diferentes participantes del estudio, realizando así un acercamiento a la persona real, desproveyéndola del artificio protector de la máscara para poder comprender su realidad, sus vivencias y experiencias. Partiendo de los relatos obtenidos el proyecto reconstruye fotográficamente alguno de los pasajes de su intensa vida, una mise en scène que da visibilidad a historias que tienden a ser ocultadas por vergüenza o miedo al rechazo social debido a la estigmatización de la profesión ejercida, un modo de hacer público algo que en naturaleza es muy íntimo y personal. De este modo, los personajes que aparecen en cada una de las imágenes son interpretados por actores profesionales, que sienten y padecen las vidas de los protagonistas reales, y se mezclan con éstos que reinterpretan nuevamente sus propias vivencias. Esto se establece como estrategia pactada con todos y cada uno de ellos para preservar su anonimato a pesar de mostrar su rostro ante la cámara. Creamos así una doble ficción, la del personaje que esta tipología de profesionales crean para sí y los protege de la sociedad, y el que han de interpretar en la toma fotográfica dentro del proyecto, generando la duda permanente en el espectador que no sabe quien es el real y quien el intérprete o interpretado. El proyecto indaga en las especiales características de vida de estos trabajadores, profundizando en cuestiones como el deseo reprimido, las relaciones de pareja, los problemas afectivos, el entorno cultural, la inmigración, el perfil de los clientes, las diferentes prácticas sexuales, la enfermedad, la soledad, el estigma social o la doble moral de la ciudadanía entre otras múltiples cuestiones tangenciales. Una suerte de realidad paralela en la que se interrelacionan condicionantes económicos, culturales, religiosos, sanitarios, o simples decisiones personales que tienden a darse en los límites entre lo público y lo privado. - The last time: San Francisco, barrio de Castro, 3 a.m. Mike sentado en el suelo de la cocina decide que ese sería su último servicio, un punto de inflexión en su vida que marca el inicio de una nueva dirección.
Approximate view with unframed print. Ask for exact available dimensions
Fernando Bayona
Out of the Blue: At Home
Inkjet print
Ed. S: 3
Ed. M: 3
Ed. L: 2
+2 A.P.
S 65x53 cm
M 106x84 cm
L 135 x 106 cm
Archival Pigment Print
Approximate view with unframed print. Ask for exact available dimensions
Fernando Bayona
Out of the Blue: The Dinner
Inkjet print
Ed. S: 3
Ed. M: 3
Ed. L: 2
+2 A.P.
S 65x53 cm
M 106x84 cm
L 135 x 106 cm
A research project halfway between documentary and staged photography composed of 16 images, the project reflects on the use of the body as work support by three professional collectives, that is, as an object of intangible desire, in the case of strippers or porn actors, or those that are subordinated through an economic consideration, in the case of the hustlers The title of the series refers to the game of identities and fictions carried out by these workers to protect their privacy. A sort of "alter egos" or virtual masks that dissociate them from their person, a construct of themselves created to develop their profession through the representation of a feigned character, which mutates to adapt to the work demands or demands of different clients, thus becoming - consciously or unconsciously - permanent actors of the same and endowing it with a very specific life and characteristics. The initial phase of the project is based on interviews with the different participants of the study, thus realizing an approach to the real person, depriving it of the protective device of the mask to be able to understand its reality, its experiences and experiences. Starting from the stories obtained, the project reconstructs photographically some of the passages of its intense life, a mise en scène that gives visibility to stories that tend to be hidden by shame or fear of social rejection due to the stigmatization of the profession, a way to make public something that in nature is very intimate and personal. The characters appearing in each image are played by professional actors, who feel and suffer the lives of the real protagonists, and mix with them who reinterpret their own experiences. This is established as a strategy agreed with each and every one of them to preserve their anonymity despite showing their face before the camera. A double fiction, that of the character that this typology of professionals creates for themselves and protects them from society, and that they have to interpret in the photographic capture within the project, generating permanent doubt in the viewer who does not know who is the real and who the interpreter or interpreted. The project explores the special life characteristics of these workers, deepening in issues such as repressed desire, relationships, affective problems, the cultural environment, immigration, the profile of clients, different sexual practices, illness , loneliness, social stigma or double standards of citizenship among many other tangential issues. A kind of parallel reality in which economic, cultural, religious, health, or simple personal decisions are interrelated that tend to occur in the limits between the public and the private.
Approximate view with unframed print. Ask for exact available dimensions
Khan of Finland
The Blue Pages: Man On The Beach
Fine Art InkJet print
Ed. 3 + 2 A.P.
43 x 65 cm
Archival Pigment Print (handprint)
Approximate view with unframed print. Ask for exact available dimensions
Khan of Finland
The Blue Pages: Goth
Fine Art InkJet print
Ed. 3 + 2 A.P.
43 x 65 cm
Archival Pigment Print (handprint)
Approximate view with unframed print. Ask for exact available dimensions
Alejandro Chaskielberg
Labirynth: Dream
Inkjet print
S Ed 1/5
M Ed 5/7
L Ed 1/3
S 80 x 60 cm
M 120 x 90 cm
L 160 x 120 cm.
In 2014, he travelled with his one and a half year old daughter Lara to remote Patagonia, where he discovered the El Hoyo labyrinth. He was mesmerized: The labyrinth seemed to transform everyone who meandered through it. Children became elfin, adults became childlike. Everyone seemed under a spell as they made their way through the maze. Chaskielberg, a photographer who also works as a cinematographer, decided to put to use his cinematic experience to fully capture the magic of the labyrinth. Inspired by Stanley Kubrick’s The Shining, which famously concludes in a hedge maze, he took on the role of director. He created scenarios – he painted trees, used torches, moved people around, had them pretend to sleep on the ground and stretch out on the top of the hedges. In effect, he created a magical piece of land art that he then documented. Chaskielberg’s photographs visualize the feelings people experience while wandering through the giant maze. He created tableaus and made light visible. The images are spectacularly beautiful and seductive, showing us the transformation –and the fragility – of nature.
Approximate view with unframed print. Ask for exact available dimensions
Alejandro Chaskielberg
Pixels: Teatro Colón
Inkjet print
Ed.L: 7
Ed. XL: 2/3
+2 A.P.
L 83 x 150 cm
XL 123 x 220 cm
C-Print
Approximate view with unframed print. Ask for exact available dimensions