New Era: Untitled (Palm Tree)

2009 - 2014
Ed. 7 + 2 A.P.
Archival pigment print

120 x 80 cm

Option II: 165 x 110 cm
Ed. 5 + 2 A.P.

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New Era (2009-14) suggests a fiction about a world where man passes spiritually taciturn ways in which predominates despair with the desire for liberation and transcendence. The series evokes the malaise of a society in which man is constantly faced with his own evil and overcomes their fears. The images evoke the metaphor of the spiral that renews what withers and blooms again and again, before a symbolic -and distant, quasi-futurist rebirth of man.

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José Luis Cuevas

Untitled (Circus)

2002 - 2007
Ed. of 1 Vintage
Gelatin silver print

35,56 x 27,94 cm

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José Luis Cuevas

Untitled (Newsstand)

2002 - 2007
Ed. of 1 Vintage
Gelatin silver print

35,56 x 27,94 cm

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Domestic Fine Arts: Quetzal & Emmanuel

2008
Ed. 5 + 2 A.P.
Archival pigment print

135 x 90 cm

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Domestic Fine Arts. Bajo el pseudónimo Domestic Fine Arts, Jésus Léon ha combinado fotografía, música y prácticas periodísticas por más de quince años. Su imaginario en el que muestra a ‘modelos’ posee no solo el glamour de una revista de moda, sino que permite personificar escenas profundamente románticas. En el trabajo de León Hernández, la intensidad de la propia vida se vuelve frágil y fugaz, para mostrar una versión oscura del amor, la oscuridad y la destrucción.

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Untitled

2014
Ed. 5 + 2 A.P.
Archival pigment print

135 x 90 cm

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Under the pseudonym and long-term project Domestic Fine Arts, León has combined photographic, musical and journalistic practices for fifteen years. His imagery, at times displaying models, does not only have the glamour of fashion magazines, much more they come to embody deeply romantic scenes. In León’s work, the intensity of life itself becomes fragile and fleeting, displaying a dark version of love and destruction.

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Untitled (Parque México)

2017
Ed. 5 + 2 A.P.
Archival pigment print

70 x 93 cm

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Under the pseudonym and long-term project Domestic Fine Arts, León has combined photographic, musical and journalistic practices for fifteen years. His imagery, at times displaying models, does not only have the glamour of fashion magazines, much more they come to embody deeply romantic scenes. In León’s work, the intensity of life itself becomes fragile and fleeting, displaying a dark version of love and destruction.

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5.00 m 3.00 m

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PAUL MPAGI SEPUYA

Mirror Study

2016
Ed. 5
Archival pigment print

86.36 x 129,54 cm

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Mirror Study ​(2017) Those works are part of ​“Figures, Grounds and Studies,” Paul Mpagi Sepuya current project which “lays bare an interdependent formal relationship between my gaze, the subject depicted and the viewer’s (or audience’s) presence within a history of eroticized and racialized photographic constructs.” Sep​uya extends beyond ​traditional studio portraits including photographs of photographs, arranging or ​collaging two-dimensional works with the material around him ; his work tends to be both abstract and representational. By working with his close circle of friends, ​he establishes the artist’s studio as a place where life and art intersect and let his aura appear, even when he stays behind the camera.

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PAUL MPAGI SEPUYA

Mirror Study for Joe

2017
Ed. 5
Archival pigment print

86.36 x 116,84 cm

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Mirror Study ​(2017) Those works are part of ​“Figures, Grounds and Studies,” Paul Mpagi Sepuya current project which “lays bare an interdependent formal relationship between my gaze, the subject depicted and the viewer’s (or audience’s) presence within a history of eroticized and racialized photographic constructs.” Sep​uya extends beyond ​traditional studio portraits including photographs of photographs, arranging or ​collaging two-dimensional works with the material around him ; his work tends to be both abstract and representational. By working with his close circle of friends, ​he establishes the artist’s studio as a place where life and art intersect and let his aura appear, even when he stays behind the camera.

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5.00 m 3.00 m

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x

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Lendemains  (Group show)

For Material Art Fair 2018, ALMANAQUE presents an ensemble by a new generation of acclaimed artists using photography as the foundation of their artistic production whose works prowl a culture already based in the photo.

Color, staging, abstraction, texture-mimetic and materiality are the triggers to explore our current age determined by the abundance of images and their edges when they flee the screen becoming a print or even a sculpture.

In Lendemains, the fiction intertwines with the reality, with images that underline the metaphor of the apparition or the discovery, as clues of daily scenes that becomes blurrys, almost abstracts.

With works that describe a switch of scale between landscapes and details, as well as the movement of the matiere or the duplication of the image, it comes then to mind that we are witnessing the days following a possible encounter between fantasized universes.