Tatiana Parcero

Ciudad de México, 1967
Lives and works in Buenos Aires.

Tatiana Parcero

Cartografía interior #35

1996-2022

Acetate glued on acrylic and digital printing on cotton paper.

6/10 + 2 A.P

45 x 65 cm

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Tatiana Parcero

Ossis #20, Ni la mujer, ni la tierra, somos territorio de conquista

2021

Inkjet impression 100% cotton.

Ed. 6 + 2 A.P.

110 x 110 cm

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Tatiana Parcero

8M #5, Universus códices rosa/verde

2022

impresión inkjet 100% cotton

Ed. 10 + 2AP

60 x 70 cm

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Tatiana Parcero

8M #10, Palma Ni la Mujer ni la tierra somos territorio de conquista

2022

impresión inkjet 100% cotton

Ed. 10 + 2AP

50 x 70 cm

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Tatiana Parcero

8M #12, Palma Ni la Mujer ni la tierra somos territorio de conquista.

2022

impresión inkjet 100% cotton

Ed. 10 + 2AP

50 x 70 cm

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Tatiana Parcero

Ciudad de México, 1967
Lives and works in Buenos Aires.

Tatiana Parcero. (Mexico City, 1967) Lives and works in Buenos Aires. Visual artist and photographer with a Master of Arts (NYU & icp-NYC, she has a degree in Psychology (UNAM), Mexico City. Her work explores memory, time, the body and its connections with identity and the natural world, sometimes juxtaposing the human figure with archival images.

Since the 90's, her work has been exhibited in biennials, individual and group exhibitions around the world, among which stand out: Solo Exhibitions in Buenos Aires (2022); Chicago, USA (2017), 7th International Triennial of Photography, Backlight Festival, Tampere Finland (2005); Cartographies, Terre d'Images Festival, Biarritz, France (2004); VI Havana Biennial, Cuba (1997). Group Exhibitions: Our Selves, Photographs by Women Artists from Helen Kornblum, MoMA, New York, USA; Cosmologies, Rencontres de la photographie de Arles, We are one and we are many, Galería Abierta de las Rejas de Chapultepec, 1st section of the Bosque de Chapultepec, Mexico City; Pacific Standard Time, initiative of the Getty Foundation, Museum of Contemporary Art (MOT) Tokyo, Japan & & Museo de Arte Contemporáneo de Castilla y León (MUSAC) Spain (2014), Rio de Janeiro, Brazil (2011); Changing the Focus, Latin American Photography 1990-2005, The Museum of Latin American Art (MoLAA) Fundación Telefónica, Madrid, Spain (2003). 

She obtained the FONCA Creation Grant, (2019); National System of Art Creators, FONCA (2011-2014). Her work is found in collections around the world including MoMA, New York and has been published in various media, contemporary art catalogs and books such as: Our Selves (MoMA).