Davis Henry

USA

Davis Henry

Sir Pop-A-Lot: Can You Hear the Beat

Inkjet print

S Ed.S : 5
M Ed.M : 3
L Ed.L: 2
+2 A.P.

S 79 x 72 cm
M 112 x 103 cm L 148.5 x 135 cm

2016-2021

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5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Davis Henry

Sir Pop-A-Lot: Heaven on Earth

Inkjet print

S Ed.S : 5
M Ed.M : 3
L Ed.L: 2
+2 A.P.

S 61 x 93 cm
M 91 x 140 cm
L 122 x 229 cm

2016-2021

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5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Davis Henry

Sir Pop-A-Lot: Impending Threat

Inkjet print

S Ed.S : 5
M Ed.M : 3
L Ed.L: 2
+2 A.P.

S 79 x 72 cm
M 112 x 103 cm L 148.5 x 135 cm

2016-2021

More
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5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

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Davis Henry

Sir Pop-A-Lot: It Takes Two to Make a Thing Go Right

Inkjet print

S Ed.S : 5
M Ed.M : 3
L Ed.L: 2
+2 A.P.

S 79 x 72 cm
M 112 x 103 cm L 148.5 x 135 cm

2016-2021

More
View in Room
inquire

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5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Davis Henry

Sir Pop-A-Lot: Lobster Claw Wrecking Crew

Inkjet print

S Ed.S : 5
M Ed.M : 3
L Ed.L: 2
+2 A.P.

S 79 x 72 cm
M 112 x 103 cm L 148.5 x 135 cm

2016-2021

More
View in Room
inquire

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5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Davis Henry

Sir Pop-A-Lot: The Beat Goes On

Inkjet print

S Ed.S : 5
M Ed.M : 3
L Ed.L: 2
+2 A.P.

S 61 x 93 cm
M 91 x 140 cm
L 122 x 229 cm

2016-2021

More
View in Room
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5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Davis Henry

Sir Pop-A-Lot: Mechanical Wizards 1

Inkjet print

S Ed.S : 5
M Ed.M : 3
L Ed.L: 2
+2 A.P.

S 61 x 93 cm
M 91 x 140 cm
L 122 x 229 cm

2016-2021

More
View in Room
inquire

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Davis Henry

Sir Pop-A-Lot: Mechanical Wizards 2

Inkjet print

Ed.S : 5
Ed.M : 3
Ed.L: 2
+2 A.P.

S 61 x 93 cm
M 91 x 140 cm
L 122 x 229 cm

2016-2021

More
View in Room
inquire

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Davis Henry

Sir Pop-A-Lot: To Know, Is to Know, That to Know, Is Not to Know (#1)

Backlit film over thin-profile light box

Ed.L : 5
Ed.XL: 5
+2 A.P.

173 x 51cm x 3
217 x 64cm x 3

2016-2021

More
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5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Davis Henry

Sir Pop-A-Lot: To Know, Is to Know, That to Know, Is Not to Know (#2)

Backlit film over thin-profile light box

Ed.L : 5
Ed.XL: 5
+2 A.P.

173 x 51cm x 3
217 x 64cm x 3

2016-2021

More
View in Room
inquire

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Davis Henry

Sir Pop-A-Lot: To Know, Is to Know, That to Know, Is Not to Know (#3)

Backlit film over thin-profile light box

Ed.L : 5
Ed.XL: 5
+2 A.P.

173 x 51cm x 3
217 x 64cm x 3

2016-2021

More
View in Room
inquire

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Davis Henry

USA

Davis Henry (USA 1970. Lives and works in Los Angeles / Tulum) works across performance, costume design, photography, video, painting and installation challenging dogmatic social constructs to unlock new opportunities for self-
discovery and liberation.

Henry’s meticulously constructed works comprise playful yet refined universes, drawing on psychodynamic theory to illustrate the phenomenon of human interiority. In doing so, he externalizes internal experiences of consciousness, to personify the boundless multiplicity of the human experience.
A graduate of Syracuse University’s Fine Art program, Henry was born to black parents on a military base in the Philippines, and has lived in Okinawa, Japan, Texas, California, New Jersey, New York City, and now splits his time between Los Angeles and Tulum, Mexico.
Henry’s aesthetic is as emphatically multidimensional as its creator, courageously embracing the demands of nuance, and inspiring viewers to do the same. At the heart of his practice lives an unwavering commitment to creative freedom, conceptual fluidity, and intellectual curiosity.
Henry depicts fantastical worlds that live at the intersection of reverie and social commentary, controverting linear concepts of time, consciousness, and meaning. His practice aligns with the whimsically subversive inflection of artists like Paul McCarthy, Cindy Sherman, and Mike Kelley, centering his unique lived experience to
boldly challenge social normativity and stereotypes.
Henry inhabits playful irreverence as a site of both personal and communal liberation, unearthing the caverns where confinement still lurks, and where expressive freedom remains possible.