Danila Tkachenko

Oasis 1

Archival Pigment Print
2018
This project was commissioned by Qatar Museums as part of Qatar-Russia 2018 year of culture photographic exchange.

200 x 150 cm

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This project was commissioned by Qatar Museums as part of Qatar-Russia 2018 year of culture photographic exchange.

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

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Danila Tkachenko

Oasis 2

Archival Pigment Print
2018
This project was commissioned by Qatar Museums as part of Qatar-Russia 2018 year of culture photographic exchange.

200 x 150 cm

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This project was commissioned by Qatar Museums as part of Qatar-Russia 2018 year of culture photographic exchange.

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Danila Tkachenko

Oasis 3

Archival Pigment Print
2018
This project was commissioned by Qatar Museums as part of Qatar-Russia 2018 year of culture photographic exchange.

200 x 150 cm

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This project was commissioned by Qatar Museums as part of Qatar-Russia 2018 year of culture photographic exchange.

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

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Danila Tkachenko

Oasis 4

Archival Pigment Print
2018
This project was commissioned by Qatar Museums as part of Qatar-Russia 2018 year of culture photographic exchange.

200 x 150 cm

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This project was commissioned by Qatar Museums as part of Qatar-Russia 2018 year of culture photographic exchange.

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

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Danila Tkachenko

Oasis 5

Archival Pigment Print
2018
This project was commissioned by Qatar Museums as part of Qatar-Russia 2018 year of culture photographic exchange.

200 x 150 cm

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This project was commissioned by Qatar Museums as part of Qatar-Russia 2018 year of culture photographic exchange.

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

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Danila Tkachenko

Oasis 6

Archival Pigment Print
2018
This project was commissioned by Qatar Museums as part of Qatar-Russia 2018 year of culture photographic exchange.

200 x 150 cm

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This project was commissioned by Qatar Museums as part of Qatar-Russia 2018 year of culture photographic exchange.

Please provide name and email for information


5.00 m 3.00 m

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Fernando Bayona

Out of the Blue: Boy

Impresión Ink Jet
Ed 2

60 x 50 cm

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Something that happens unexpectedly and places us in a kind of vertex. From that point, it is difficult not to see one's existence as something dividing us forever in before and after. The diagnosis of a disease that will change us without remission, the arrival of someone who gives a turnaround to our universe or a circumstance which shakes the fundaments of what we known. Certainly, the Anglo-Saxon expression Out of the blue can refer to that something good or bad appearing out of nowhere -without previous warning. However, Fernando Bayona has focused its search on that uncertainty that is based within us. Leaving us in a deep state of melancholy. In out of the blue, the Bayona’s story becomes opaque, placing a singular emphasis on life’s mystery, in the eyes of all inexplicable, and that we will pose before the scene photographed in a disturbing diatribe: Something ends to happen, yet that something is in the mood of the characters. In some of these images, our contaminated look could reach erroneous conclusions, perhaps dark and remote. In an interesting shooting that drinks from the cinematographic schemes, Bayona stages a collection of real locations that have been photographed in exceptional light conditions - thanks to a generator moved through out the different scenarios- then post-produced with an intense complex processed addressing the image from a pictorial point of view. The artist, finally, lets us decide how do they correspond to inside or outside, so that the expectation’s experiences and imagination become essential to the story’s interpretation.

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5.00 m 3.00 m

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x

Fernando Bayona

Out of the Blue: The Dinner

Impresión Ink Jet
Ed 2

60 x 50 cm

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Something that happens unexpectedly and places us in a kind of vertex. From that point, it is difficult not to see one's existence as something dividing us forever in before and after. The diagnosis of a disease that will change us without remission, the arrival of someone who gives a turnaround to our universe or a circumstance which shakes the fundaments of what we known. Certainly, the Anglo-Saxon expression Out of the blue can refer to that something good or bad appearing out of nowhere -without previous warning. However, Fernando Bayona has focused its search on that uncertainty that is based within us. Leaving us in a deep state of melancholy. In out of the blue, the Bayona’s story becomes opaque, placing a singular emphasis on life’s mystery, in the eyes of all inexplicable, and that we will pose before the scene photographed in a disturbing diatribe: Something ends to happen, yet that something is in the mood of the characters. In some of these images, our contaminated look could reach erroneous conclusions, perhaps dark and remote. In an interesting shooting that drinks from the cinematographic schemes, Bayona stages a collection of real locations that have been photographed in exceptional light conditions - thanks to a generator moved through out the different scenarios- then post-produced with an intense complex processed addressing the image from a pictorial point of view. The artist, finally, lets us decide how do they correspond to inside or outside, so that the expectation’s experiences and imagination become essential to the story’s interpretation.

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Fernando Bayona

Out of the Blue: Street

Impresión Ink Jet
Ed 2

60 x 50 cm

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Something that happens unexpectedly and places us in a kind of vertex. From that point, it is difficult not to see one's existence as something dividing us forever in before and after. The diagnosis of a disease that will change us without remission, the arrival of someone who gives a turnaround to our universe or a circumstance which shakes the fundaments of what we known. Certainly, the Anglo-Saxon expression Out of the blue can refer to that something good or bad appearing out of nowhere -without previous warning. However, Fernando Bayona has focused its search on that uncertainty that is based within us. Leaving us in a deep state of melancholy. In out of the blue, the Bayona’s story becomes opaque, placing a singular emphasis on life’s mystery, in the eyes of all inexplicable, and that we will pose before the scene photographed in a disturbing diatribe: Something ends to happen, yet that something is in the mood of the characters. In some of these images, our contaminated look could reach erroneous conclusions, perhaps dark and remote. In an interesting shooting that drinks from the cinematographic schemes, Bayona stages a collection of real locations that have been photographed in exceptional light conditions - thanks to a generator moved through out the different scenarios- then post-produced with an intense complex processed addressing the image from a pictorial point of view. The artist, finally, lets us decide how do they correspond to inside or outside, so that the expectation’s experiences and imagination become essential to the story’s interpretation.

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Fernando Bayona

Out of the Blue: Green Light

Impresión Ink Jet
Ed 2

60 x 50 cm

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Something that happens unexpectedly and places us in a kind of vertex. From that point, it is difficult not to see one's existence as something dividing us forever in before and after. The diagnosis of a disease that will change us without remission, the arrival of someone who gives a turnaround to our universe or a circumstance which shakes the fundaments of what we known. Certainly, the Anglo-Saxon expression Out of the blue can refer to that something good or bad appearing out of nowhere -without previous warning. However, Fernando Bayona has focused its search on that uncertainty that is based within us. Leaving us in a deep state of melancholy. In out of the blue, the Bayona’s story becomes opaque, placing a singular emphasis on life’s mystery, in the eyes of all inexplicable, and that we will pose before the scene photographed in a disturbing diatribe: Something ends to happen, yet that something is in the mood of the characters. In some of these images, our contaminated look could reach erroneous conclusions, perhaps dark and remote. In an interesting shooting that drinks from the cinematographic schemes, Bayona stages a collection of real locations that have been photographed in exceptional light conditions - thanks to a generator moved through out the different scenarios- then post-produced with an intense complex processed addressing the image from a pictorial point of view. The artist, finally, lets us decide how do they correspond to inside or outside, so that the expectation’s experiences and imagination become essential to the story’s interpretation.

Please provide name and email for information


5.00 m 3.00 m

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Fernando Bayona

Broken Roses

Impresión Ink Jet
Ed 2

60 x 50 cm

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Fernando Bayona

Out of the Blue: At Home

Impresión Ink Jet
Ed 2

60 x 50 cm

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Something that happens unexpectedly and places us in a kind of vertex. From that point, it is difficult not to see one's existence as something dividing us forever in before and after. The diagnosis of a disease that will change us without remission, the arrival of someone who gives a turnaround to our universe or a circumstance which shakes the fundaments of what we known. Certainly, the Anglo-Saxon expression Out of the blue can refer to that something good or bad appearing out of nowhere -without previous warning. However, Fernando Bayona has focused its search on that uncertainty that is based within us. Leaving us in a deep state of melancholy. In out of the blue, the Bayona’s story becomes opaque, placing a singular emphasis on life’s mystery, in the eyes of all inexplicable, and that we will pose before the scene photographed in a disturbing diatribe: Something ends to happen, yet that something is in the mood of the characters. In some of these images, our contaminated look could reach erroneous conclusions, perhaps dark and remote. In an interesting shooting that drinks from the cinematographic schemes, Bayona stages a collection of real locations that have been photographed in exceptional light conditions - thanks to a generator moved through out the different scenarios- then post-produced with an intense complex processed addressing the image from a pictorial point of view. The artist, finally, lets us decide how do they correspond to inside or outside, so that the expectation’s experiences and imagination become essential to the story’s interpretation.

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Fernando Bayona

Alzheimer

Impresión Ink Jet
Ed 2

60 x 50 cm

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Fernando Bayona

Circus Christi: Crucifixión

Impresión Ink Jet
Ed 2

135 x 106 cm

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A subversive new version of the life of Jesus, located on the periphery of any large city and temporarily set from the 70s until today. A cast of actors undertakes the interpretations of fictional characters that bear great parallels with those that actually appear in the New Testament gospels. The project analyzes the limits of the alteration of History, the freedom of expression and the meaning that dogmatic scorn has in today's society. It thus enters into conflict with the ideological, cultural and economic interests of religious or political groups that try to censor any type of manifestation that threatens the bases on which their sources of power are based. The 14 images that make up Circus Christi represent a contemporary way of life that narrates the intense life of Jesus, the vocalist and leader of the fictional music group Circus Christi. The initial 3 shots are set in the early 70's when his father José, a small-time camel is sentenced in jail, and his mother María is forced to work as a prostitute to support her family.

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5.00 m 3.00 m

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Fernando Bayona

The Life of the Other: Motel Capri

Impresión Ink Jet
Ed 2

135 x 106 cm

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Fernando Bayona

Out of the Blue: Still Life

Impresión Ink Jet
Ed 3

60 x 50 cm

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Fernando Bayona

The Life of the Other: The client

Impresión Ink Jet
Ed 2

135 x 106 cm

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Fernando Bayona

The Life of the Other: The Last Time

Impresión Ink Jet
Ed 2

135 x 106 cm

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Mara Sánchez-Renero

El Cimarrón y su Fandango: Mar

2014
Edition A: 6 + 2 A.P.
Archival pigment print

64 x 62 cm

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El Cimarrón y su Fandango (2014), habla alegóricamente sobre el pasado de una comunidad de origen africano y el viaje de sus miembros a través de las fluctuaciones de la historia colonial, su integración en el territorio mexicano, y su sentido de identidad dentro de ella. No obstante, ese pasado no es solo la descripción de un concepto histórico; es -sobre todo- una definición de la presente. Un presente, en el caso de sus descendientes afro-mexicanos, que permanecen marginados, inestables e inmemorables para el discurso hegemónico.

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Mara Sánchez Renero

El Cimarrón y su Fandango: Piedras

2014
Edition A: 6 + 2 A.P.
Archival pigment print

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El Cimarrón y su Fandango (2014), habla alegóricamente sobre el pasado de una comunidad de origen africano y el viaje de sus miembros a través de las fluctuaciones de la historia colonial, su integración en el territorio mexicano, y su sentido de identidad dentro de ella. No obstante, ese pasado no es solo la descripción de un concepto histórico; es -sobre todo- una definición de la presente. Un presente, en el caso de sus descendientes afro-mexicanos, que permanecen marginados, inestables e inmemorables para el discurso hegemónico.

Please provide name and email for information


5.00 m 3.00 m

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x

El Cimarrón y su Fandango: Palmera

2014
Edition A: 6 + 2 A.P.
Archival pigment print

64 x 62 cm

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El Cimarrón y su Fandango (2014), habla alegóricamente sobre el pasado de una comunidad de origen africano y el viaje de sus miembros a través de las fluctuaciones de la historia colonial, su integración en el territorio mexicano, y su sentido de identidad dentro de ella. No obstante, ese pasado no es solo la descripción de un concepto histórico; es -sobre todo- una definición de la presente. Un presente, en el caso de sus descendientes afro-mexicanos, que permanecen marginados, inestables e inmemorables para el discurso hegemónico.

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x