Danila Tkachenko

Oasis 1

Archival Pigment Print
2018

200 x 150 cm

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Danila Tkachenko

Oasis 2

Archival Pigment Print
2018

200 x 150 cm

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Danila Tkachenko

Oasis 3

Archival Pigment Print
2018

200 x 150 cm

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Danila Tkachenko

Oasis 4

Archival Pigment Print
2018

200 x 150 cm

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Danila Tkachenko

Oasis 5

Archival Pigment Print
2018

200 x 150 cm

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Danila Tkachenko

Oasis 6

Archival Pigment Print
2018

200 x 150 cm

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Fernando Bayona

Boy

Impresión Ink Jet
Ed 2

60 x 50 cm

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Fernando Bayona

The Dinner

Impresión Ink Jet
Ed 2

60 x 50 cm

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Fernando Bayona

Street

Impresión Ink Jet
Ed 2

60 x 50 cm

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Fernando Bayona

Green Light

Impresión Ink Jet
Ed 2

60 x 50 cm

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Fernando Bayona

Broken Roses

Impresión Ink Jet
Ed 2

60 x 50 cm

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Fernando Bayona

At Home

Impresión Ink Jet
Ed 2

60 x 50 cm

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Fernando Bayona

Alzheimer

Impresión Ink Jet
Ed 2

60 x 50 cm

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Fernando Bayona

Crucifixión

Impresión Ink Jet
Ed 2

135 x 106 cm

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Fernando Bayona

The Life of the Other: Motel Capri

Impresión Ink Jet
Ed 2

135 x 106 cm

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Fernando Bayona

Out of the Blue: Still Life

Impresión Ink Jet
Ed 3

60 x 50 cm

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Fernando Bayona

The Life of the Other: The client

Impresión Ink Jet
Ed 2

135 x 106 cm

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Fernando Bayona

The Life of the Other: The Last Time

Impresión Ink Jet
Ed 2

135 x 106 cm

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Mara Sánchez-Renero

El Cimarrón y su Fandango: Mar

2014
Edition A: 6 + 2 A.P.
Archival pigment print

64 x 62 cm

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El Cimarrón y su Fandango (2014), habla alegóricamente sobre el pasado de una comunidad de origen africano y el viaje de sus miembros a través de las fluctuaciones de la historia colonial, su integración en el territorio mexicano, y su sentido de identidad dentro de ella. No obstante, ese pasado no es solo la descripción de un concepto histórico; es -sobre todo- una definición de la presente. Un presente, en el caso de sus descendientes afro-mexicanos, que permanecen marginados, inestables e inmemorables para el discurso hegemónico.

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Mara Sánchez Renero

El Cimarrón y su Fandango: Piedras

2014
Edition A: 6 + 2 A.P.
Archival pigment print

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El Cimarrón y su Fandango (2014), habla alegóricamente sobre el pasado de una comunidad de origen africano y el viaje de sus miembros a través de las fluctuaciones de la historia colonial, su integración en el territorio mexicano, y su sentido de identidad dentro de ella. No obstante, ese pasado no es solo la descripción de un concepto histórico; es -sobre todo- una definición de la presente. Un presente, en el caso de sus descendientes afro-mexicanos, que permanecen marginados, inestables e inmemorables para el discurso hegemónico.

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El Cimarrón y su Fandango: Palmera

2014
Edition A: 6 + 2 A.P.
Archival pigment print

64 x 62 cm

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inquire

El Cimarrón y su Fandango (2014), habla alegóricamente sobre el pasado de una comunidad de origen africano y el viaje de sus miembros a través de las fluctuaciones de la historia colonial, su integración en el territorio mexicano, y su sentido de identidad dentro de ella. No obstante, ese pasado no es solo la descripción de un concepto histórico; es -sobre todo- una definición de la presente. Un presente, en el caso de sus descendientes afro-mexicanos, que permanecen marginados, inestables e inmemorables para el discurso hegemónico.

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x