Danila Tkachenko

Oasis 1

Archival Pigment Print
2018
This project was commissioned by Qatar Museums as part of Qatar-Russia 2018 year of culture photographic exchange.

200 x 150 cm

More
View in Room
inquire

This project was commissioned by Qatar Museums as part of Qatar-Russia 2018 year of culture photographic exchange.

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Danila Tkachenko

Oasis 2

Archival Pigment Print
2018
This project was commissioned by Qatar Museums as part of Qatar-Russia 2018 year of culture photographic exchange.

200 x 150 cm

More
View in Room
inquire

This project was commissioned by Qatar Museums as part of Qatar-Russia 2018 year of culture photographic exchange.

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Danila Tkachenko

Oasis 3

Archival Pigment Print
2018
This project was commissioned by Qatar Museums as part of Qatar-Russia 2018 year of culture photographic exchange.

200 x 150 cm

More
View in Room
inquire

This project was commissioned by Qatar Museums as part of Qatar-Russia 2018 year of culture photographic exchange.

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Danila Tkachenko

Oasis 4

Archival Pigment Print
2018
This project was commissioned by Qatar Museums as part of Qatar-Russia 2018 year of culture photographic exchange.

200 x 150 cm

More
View in Room
inquire

This project was commissioned by Qatar Museums as part of Qatar-Russia 2018 year of culture photographic exchange.

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Danila Tkachenko

Oasis 5

Archival Pigment Print
2018
This project was commissioned by Qatar Museums as part of Qatar-Russia 2018 year of culture photographic exchange.

200 x 150 cm

More
View in Room
inquire

This project was commissioned by Qatar Museums as part of Qatar-Russia 2018 year of culture photographic exchange.

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Danila Tkachenko

Oasis 6

Archival Pigment Print
2018
This project was commissioned by Qatar Museums as part of Qatar-Russia 2018 year of culture photographic exchange.

200 x 150 cm

More
View in Room
inquire

This project was commissioned by Qatar Museums as part of Qatar-Russia 2018 year of culture photographic exchange.

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Fernando Bayona

Out of the Blue: Boy

Impresión Ink Jet
Ed 2

60 x 50 cm

More
View in Room
inquire

Something that happens unexpectedly and places us in a kind of vertex. From that point, it is difficult not to see one's existence as something dividing us forever in before and after. The diagnosis of a disease that will change us without remission, the arrival of someone who gives a turnaround to our universe or a circumstance which shakes the fundaments of what we known. Certainly, the Anglo-Saxon expression Out of the blue can refer to that something good or bad appearing out of nowhere -without previous warning. However, Fernando Bayona has focused its search on that uncertainty that is based within us. Leaving us in a deep state of melancholy. In out of the blue, the Bayona’s story becomes opaque, placing a singular emphasis on life’s mystery, in the eyes of all inexplicable, and that we will pose before the scene photographed in a disturbing diatribe: Something ends to happen, yet that something is in the mood of the characters. In some of these images, our contaminated look could reach erroneous conclusions, perhaps dark and remote. In an interesting shooting that drinks from the cinematographic schemes, Bayona stages a collection of real locations that have been photographed in exceptional light conditions - thanks to a generator moved through out the different scenarios- then post-produced with an intense complex processed addressing the image from a pictorial point of view. The artist, finally, lets us decide how do they correspond to inside or outside, so that the expectation’s experiences and imagination become essential to the story’s interpretation.

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

EXHIBITIONS

Appearance Apparatus

Fernando Bayona

More
View in Room
inquire

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Fernando Bayona

Out of the Blue: Street

Impresión Ink Jet
Ed 2

60 x 50 cm

More
View in Room
inquire

Something that happens unexpectedly and places us in a kind of vertex. From that point, it is difficult not to see one's existence as something dividing us forever in before and after. The diagnosis of a disease that will change us without remission, the arrival of someone who gives a turnaround to our universe or a circumstance which shakes the fundaments of what we known. Certainly, the Anglo-Saxon expression Out of the blue can refer to that something good or bad appearing out of nowhere -without previous warning. However, Fernando Bayona has focused its search on that uncertainty that is based within us. Leaving us in a deep state of melancholy. In out of the blue, the Bayona’s story becomes opaque, placing a singular emphasis on life’s mystery, in the eyes of all inexplicable, and that we will pose before the scene photographed in a disturbing diatribe: Something ends to happen, yet that something is in the mood of the characters. In some of these images, our contaminated look could reach erroneous conclusions, perhaps dark and remote. In an interesting shooting that drinks from the cinematographic schemes, Bayona stages a collection of real locations that have been photographed in exceptional light conditions - thanks to a generator moved through out the different scenarios- then post-produced with an intense complex processed addressing the image from a pictorial point of view. The artist, finally, lets us decide how do they correspond to inside or outside, so that the expectation’s experiences and imagination become essential to the story’s interpretation.

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Fernando Bayona

Out of the Blue: Green Light

Impresión Ink Jet
Ed 2

60 x 50 cm

More
View in Room
inquire

Something that happens unexpectedly and places us in a kind of vertex. From that point, it is difficult not to see one's existence as something dividing us forever in before and after. The diagnosis of a disease that will change us without remission, the arrival of someone who gives a turnaround to our universe or a circumstance which shakes the fundaments of what we known. Certainly, the Anglo-Saxon expression Out of the blue can refer to that something good or bad appearing out of nowhere -without previous warning. However, Fernando Bayona has focused its search on that uncertainty that is based within us. Leaving us in a deep state of melancholy. In out of the blue, the Bayona’s story becomes opaque, placing a singular emphasis on life’s mystery, in the eyes of all inexplicable, and that we will pose before the scene photographed in a disturbing diatribe: Something ends to happen, yet that something is in the mood of the characters. In some of these images, our contaminated look could reach erroneous conclusions, perhaps dark and remote. In an interesting shooting that drinks from the cinematographic schemes, Bayona stages a collection of real locations that have been photographed in exceptional light conditions - thanks to a generator moved through out the different scenarios- then post-produced with an intense complex processed addressing the image from a pictorial point of view. The artist, finally, lets us decide how do they correspond to inside or outside, so that the expectation’s experiences and imagination become essential to the story’s interpretation.

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Fernando Bayona

Broken Roses

Impresión Ink Jet
Ed 2

60 x 50 cm

More
View in Room
inquire

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Fernando Bayona

Out of the Blue: At Home

Impresión Ink Jet
Ed 2

60 x 50 cm

More
View in Room
inquire

Something that happens unexpectedly and places us in a kind of vertex. From that point, it is difficult not to see one's existence as something dividing us forever in before and after. The diagnosis of a disease that will change us without remission, the arrival of someone who gives a turnaround to our universe or a circumstance which shakes the fundaments of what we known. Certainly, the Anglo-Saxon expression Out of the blue can refer to that something good or bad appearing out of nowhere -without previous warning. However, Fernando Bayona has focused its search on that uncertainty that is based within us. Leaving us in a deep state of melancholy. In out of the blue, the Bayona’s story becomes opaque, placing a singular emphasis on life’s mystery, in the eyes of all inexplicable, and that we will pose before the scene photographed in a disturbing diatribe: Something ends to happen, yet that something is in the mood of the characters. In some of these images, our contaminated look could reach erroneous conclusions, perhaps dark and remote. In an interesting shooting that drinks from the cinematographic schemes, Bayona stages a collection of real locations that have been photographed in exceptional light conditions - thanks to a generator moved through out the different scenarios- then post-produced with an intense complex processed addressing the image from a pictorial point of view. The artist, finally, lets us decide how do they correspond to inside or outside, so that the expectation’s experiences and imagination become essential to the story’s interpretation.

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Fernando Bayona

Alzheimer

Impresión Ink Jet
Ed 2

60 x 50 cm

More
View in Room
inquire

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Fernando Bayona

Circus Christi: Crucifixión

Impresión Ink Jet
Ed 2

135 x 106 cm

More
View in Room
inquire

A subversive new version of the life of Jesus, located on the periphery of any large city and temporarily set from the 70s until today. A cast of actors undertakes the interpretations of fictional characters that bear great parallels with those that actually appear in the New Testament gospels. The project analyzes the limits of the alteration of History, the freedom of expression and the meaning that dogmatic scorn has in today's society. It thus enters into conflict with the ideological, cultural and economic interests of religious or political groups that try to censor any type of manifestation that threatens the bases on which their sources of power are based. The 14 images that make up Circus Christi represent a contemporary way of life that narrates the intense life of Jesus, the vocalist and leader of the fictional music group Circus Christi. The initial 3 shots are set in the early 70's when his father José, a small-time camel is sentenced in jail, and his mother María is forced to work as a prostitute to support her family.

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Fernando Bayona

The Life of the Other: Motel Capri

Impresión Ink Jet
Ed 2

135 x 106 cm

More
View in Room
inquire

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Fernando Bayona

Out of the Blue: Still Life

Impresión Ink Jet
Ed 3

60 x 50 cm

More
View in Room
inquire

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Fernando Bayona

The Life of the Other: The client

Impresión Ink Jet
Ed 2

135 x 106 cm

More
View in Room
inquire

A research project halfway between documentary and staged photography composed of 16 images, the project reflects on the use of the body as work support by three professional collectives, that is, as an object of intangible desire, in the case of strippers or porn actors, or those that are subordinated through an economic consideration, in the case of the hustlers The title of the series refers to the game of identities and fictions carried out by these workers to protect their privacy. A sort of "alter egos" or virtual masks that dissociate them from their person, a construct of themselves created to develop their profession through the representation of a feigned character, which mutates to adapt to the work demands or demands of different clients, thus becoming - consciously or unconsciously - permanent actors of the same and endowing it with a very specific life and characteristics. The initial phase of the project is based on interviews with the different participants of the study, thus realizing an approach to the real person, depriving it of the protective device of the mask to be able to understand its reality, its experiences and experiences. Starting from the stories obtained, the project reconstructs photographically some of the passages of its intense life, a mise en scène that gives visibility to stories that tend to be hidden by shame or fear of social rejection due to the stigmatization of the profession, a way to make public something that in nature is very intimate and personal. The characters appearing in each image are played by professional actors, who feel and suffer the lives of the real protagonists, and mix with them who reinterpret their own experiences. This is established as a strategy agreed with each and every one of them to preserve their anonymity despite showing their face before the camera. A double fiction, that of the character that this typology of professionals creates for themselves and protects them from society, and that they have to interpret in the photographic capture within the project, generating permanent doubt in the viewer who does not know who is the real and who the interpreter or interpreted. The project explores the special life characteristics of these workers, deepening in issues such as repressed desire, relationships, affective problems, the cultural environment, immigration, the profile of clients, different sexual practices, illness , loneliness, social stigma or double standards of citizenship among many other tangential issues. A kind of parallel reality in which economic, cultural, religious, health, or simple personal decisions are interrelated that tend to occur in the limits between the public and the private. Fernando, Bayona, Spain.

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Fernando Bayona

The Life of the Other: The Last Time

Impresión Ink Jet
Ed 2

135 x 106 cm

More
View in Room
inquire

A research project halfway between documentary and staged photography composed of 16 images, the project reflects on the use of the body as work support by three professional collectives, that is, as an object of intangible desire, in the case of strippers or porn actors, or those that are subordinated through an economic consideration, in the case of the hustlers The title of the series refers to the game of identities and fictions carried out by these workers to protect their privacy. A sort of "alter egos" or virtual masks that dissociate them from their person, a construct of themselves created to develop their profession through the representation of a feigned character, which mutates to adapt to the work demands or demands of different clients, thus becoming - consciously or unconsciously - permanent actors of the same and endowing it with a very specific life and characteristics. The initial phase of the project is based on interviews with the different participants of the study, thus realizing an approach to the real person, depriving it of the protective device of the mask to be able to understand its reality, its experiences and experiences. Starting from the stories obtained, the project reconstructs photographically some of the passages of its intense life, a mise en scène that gives visibility to stories that tend to be hidden by shame or fear of social rejection due to the stigmatization of the profession, a way to make public something that in nature is very intimate and personal. The characters appearing in each image are played by professional actors, who feel and suffer the lives of the real protagonists, and mix with them who reinterpret their own experiences. This is established as a strategy agreed with each and every one of them to preserve their anonymity despite showing their face before the camera. A double fiction, that of the character that this typology of professionals creates for themselves and protects them from society, and that they have to interpret in the photographic capture within the project, generating permanent doubt in the viewer who does not know who is the real and who the interpreter or interpreted. The project explores the special life characteristics of these workers, deepening in issues such as repressed desire, relationships, affective problems, the cultural environment, immigration, the profile of clients, different sexual practices, illness , loneliness, social stigma or double standards of citizenship among many other tangential issues. A kind of parallel reality in which economic, cultural, religious, health, or simple personal decisions are interrelated that tend to occur in the limits between the public and the private. Fernando, Bayona, Spain.

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Mara Sánchez-Renero

El Cimarrón y su Fandango: Mar

2014
Edition A: 6 + 2 A.P.
Archival pigment print

64 x 62 cm

More
View in Room
inquire

El Cimarrón y su Fandango (2014), habla alegóricamente sobre el pasado de una comunidad de origen africano y el viaje de sus miembros a través de las fluctuaciones de la historia colonial, su integración en el territorio mexicano, y su sentido de identidad dentro de ella. No obstante, ese pasado no es solo la descripción de un concepto histórico; es -sobre todo- una definición de la presente. Un presente, en el caso de sus descendientes afro-mexicanos, que permanecen marginados, inestables e inmemorables para el discurso hegemónico.

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Mara Sánchez Renero

El Cimarrón y su Fandango: Piedras

2014
Edition A: 6 + 2 A.P.
Archival pigment print

More
View in Room
inquire

El Cimarrón y su Fandango (2014), habla alegóricamente sobre el pasado de una comunidad de origen africano y el viaje de sus miembros a través de las fluctuaciones de la historia colonial, su integración en el territorio mexicano, y su sentido de identidad dentro de ella. No obstante, ese pasado no es solo la descripción de un concepto histórico; es -sobre todo- una definición de la presente. Un presente, en el caso de sus descendientes afro-mexicanos, que permanecen marginados, inestables e inmemorables para el discurso hegemónico.

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

El Cimarrón y su Fandango: Palmera

2014
Edition A: 6 + 2 A.P.
Archival pigment print

64 x 62 cm

More
View in Room
inquire

El Cimarrón y su Fandango (2014), habla alegóricamente sobre el pasado de una comunidad de origen africano y el viaje de sus miembros a través de las fluctuaciones de la historia colonial, su integración en el territorio mexicano, y su sentido de identidad dentro de ella. No obstante, ese pasado no es solo la descripción de un concepto histórico; es -sobre todo- una definición de la presente. Un presente, en el caso de sus descendientes afro-mexicanos, que permanecen marginados, inestables e inmemorables para el discurso hegemónico.

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x