Ben de Biel
Club Berlin: DJ Gesaffelstein im Boiler Room
2010
Ed. 12 + 2 A.P.
Archival pigment print
89 x 59 cm
Approximate view with unframed print. Ask for exact available dimensions
Approximate view with unframed print. Ask for exact available dimensions
Approximate view with unframed print. Ask for exact available dimensions
Approximate view with unframed print. Ask for exact available dimensions
Konstantin Grebnev
Abstract II
2015
Ed. 10 + 2 A.P.
Archival pigment print
55 x 55 cm
Abstract (2015) is a series of studies and experiments that combine monochrome painting and photography. Drawing and making various manipulations with ink on glass, Grebnev put himself in the position of an observer of the process. By minimizing his influence on the formation of the work, he allows the picture to create itself. As he moves the glass, the ink spreads. He uses his camera to catch the moment of the reality during this process, and then he captures it before in the next moment the picture is changing.
Approximate view with unframed print. Ask for exact available dimensions
Approximate view with unframed print. Ask for exact available dimensions
Secret Ceremony
2012 / 2018
Ed. 13 + 2 A.P.
C-Print on Dibond
Available in 3 sizes: 50 x 40 cm, 105 x 70 cm & 135 x 106 cm.
50 x 40 cm
Domestic Fine Arts. Bajo el pseudónimo Domestic Fine Arts, Jésus Léon ha combinado fotografía, música y prácticas periodísticas por más de quince años. Su imaginario en el que muestra a ‘modelos’ posee no solo el glamour de una revista de moda, sino que permite personificar escenas profundamente románticas. En el trabajo de León Hernández, la intensidad de la propia vida se vuelve frágil y fugaz, para mostrar una versión oscura del amor, la oscuridad y la destrucción.
Approximate view with unframed print. Ask for exact available dimensions
Ricardo Nicolayevsky
Lost Photos: Red 03
1983 - 2017
Ed. 7 + 2 A.P.
Archival pigment print
55 x 36 cm
ALMANAQUE-Fotográfica proudly presents two body of works of photography and video-art by Ricardo Nicolayevsky. Post-produced throughout two decades, the pieces become the time-tunnel from a poetic production process transcending words. Still and moving image from a public and a private world captured 35 years ago —at a gone New York— are reborn in another time and place. Lost Photos & NYC’83 proposes a dialogue with a present that threatens freedom of speech and human rights in a new status-quo. A photography series with intimate and enigmatic images, while the NYC’83 is a video-art portrait where the public and the private realms melt on the streets of the city open to all possibilities. The Lost Photos series —experimental by nature— has been mounted in a classic style, so its narrative and poetry may mimics with abstraction and found fortune. The NYC’83 video-art portrait captures the Punk and New Wave spirit of a young Nicolayevsky recording the idyllic XX century’s Metropolis. Late in 2016, the Museum of Modern Art of New York (MoMA) acquired the Lost Portraits series, to which NYC’83 belongs, a total portrait featuring its streets, inhabit tans and the author. Time is the prime material for these productions. As Nicolayevsky remarks in one of his aphorisms: “Es imposible matar el tiempo sin herirlo” (“It is impossible to kill time without hurting it”).
Approximate view with unframed print. Ask for exact available dimensions
Ricardo Nicolayevsky
Lost Photos: Red 02
1983 - 2017
Ed. 7 + 2 A.P.
Archival pigment print
55 x 36 cm
ALMANAQUE-Fotográfica proudly presents two body of works of photography and video-art by Ricardo Nicolayevsky. Post-produced throughout two decades, the pieces become the time-tunnel from a poetic production process transcending words. Still and moving image from a public and a private world captured 35 years ago —at a gone New York— are reborn in another time and place. Lost Photos & NYC’83 proposes a dialogue with a present that threatens freedom of speech and human rights in a new status-quo. A photography series with intimate and enigmatic images, while the NYC’83 is a video-art portrait where the public and the private realms melt on the streets of the city open to all possibilities. The Lost Photos series —experimental by nature— has been mounted in a classic style, so its narrative and poetry may mimics with abstraction and found fortune. The NYC’83 video-art portrait captures the Punk and New Wave spirit of a young Nicolayevsky recording the idyllic XX century’s Metropolis. Late in 2016, the Museum of Modern Art of New York (MoMA) acquired the Lost Portraits series, to which NYC’83 belongs, a total portrait featuring its streets, inhabit tans and the author. Time is the prime material for these productions. As Nicolayevsky remarks in one of his aphorisms: “Es imposible matar el tiempo sin herirlo” (“It is impossible to kill time without hurting it”).
Approximate view with unframed print. Ask for exact available dimensions
Lost Photos: Red 01
1983 - 2017
Ed. 7 + 2 A.P.
Archival pigment print
55 x 36 cm
ALMANAQUE-Fotográfica proudly presents two body of works of photography and video-art by Ricardo Nicolayevsky. Post-produced throughout two decades, the pieces become the time-tunnel from a poetic production process transcending words. Still and moving image from a public and a private world captured 35 years ago —at a gone New York— are reborn in another time and place. Lost Photos & NYC’83 proposes a dialogue with a present that threatens freedom of speech and human rights in a new status-quo. A photography series with intimate and enigmatic images, while the NYC’83 is a video-art portrait where the public and the private realms melt on the streets of the city open to all possibilities. The Lost Photos series —experimental by nature— has been mounted in a classic style, so its narrative and poetry may mimics with abstraction and found fortune. The NYC’83 video-art portrait captures the Punk and New Wave spirit of a young Nicolayevsky recording the idyllic XX century’s Metropolis. Late in 2016, the Museum of Modern Art of New York (MoMA) acquired the Lost Portraits series, to which NYC’83 belongs, a total portrait featuring its streets, inhabit tans and the author. Time is the prime material for these productions. As Nicolayevsky remarks in one of his aphorisms: “Es imposible matar el tiempo sin herirlo” (“It is impossible to kill time without hurting it”).
Approximate view with unframed print. Ask for exact available dimensions
Ricardo Nicolayevsky
Lost Photos 06
1983 - 2016
Ed. 7 + 2 A.P.
Archival pigment print
24 x 16 cm
ALMANAQUE-Fotográfica proudly presents two body of works of photography and video-art by Ricardo Nicolayevsky. Post-produced throughout two decades, the pieces become the time-tunnel from a poetic production process transcending words. Still and moving image from a public and a private world captured 35 years ago —at a gone New York— are reborn in another time and place. Lost Photos & NYC’83 proposes a dialogue with a present that threatens freedom of speech and human rights in a new status-quo. A photography series with intimate and enigmatic images, while the NYC’83 is a video-art portrait where the public and the private realms melt on the streets of the city open to all possibilities. The Lost Photos series —experimental by nature— has been mounted in a classic style, so its narrative and poetry may mimics with abstraction and found fortune. The NYC’83 video-art portrait captures the Punk and New Wave spirit of a young Nicolayevsky recording the idyllic XX century’s Metropolis. Late in 2016, the Museum of Modern Art of New York (MoMA) acquired the Lost Portraits series, to which NYC’83 belongs, a total portrait featuring its streets, inhabit tans and the author. Time is the prime material for these productions. As Nicolayevsky remarks in one of his aphorisms: “Es imposible matar el tiempo sin herirlo” (“It is impossible to kill time without hurting it”).
Approximate view with unframed print. Ask for exact available dimensions
Ricardo Nicolayevsky
Lost Photos 01
1983 - 2016
Ed. 7 + 2 A.P.
Archival pigment print
24 x 16 cm
ALMANAQUE-Fotográfica proudly presents two body of works of photography and video-art by Ricardo Nicolayevsky. Post-produced throughout two decades, the pieces become the time-tunnel from a poetic production process transcending words. Still and moving image from a public and a private world captured 35 years ago —at a gone New York— are reborn in another time and place. Lost Photos & NYC’83 proposes a dialogue with a present that threatens freedom of speech and human rights in a new status-quo. A photography series with intimate and enigmatic images, while the NYC’83 is a video-art portrait where the public and the private realms melt on the streets of the city open to all possibilities. The Lost Photos series —experimental by nature— has been mounted in a classic style, so its narrative and poetry may mimics with abstraction and found fortune. The NYC’83 video-art portrait captures the Punk and New Wave spirit of a young Nicolayevsky recording the idyllic XX century’s Metropolis. Late in 2016, the Museum of Modern Art of New York (MoMA) acquired the Lost Portraits series, to which NYC’83 belongs, a total portrait featuring its streets, inhabit tans and the author. Time is the prime material for these productions. As Nicolayevsky remarks in one of his aphorisms: “Es imposible matar el tiempo sin herirlo” (“It is impossible to kill time without hurting it”).
Approximate view with unframed print. Ask for exact available dimensions
Ricardo Nicolayevsky
Lost Photos 04
1983 - 2016
Ed. 7 + 2 A.P.
Archival pigment print
24 x 16 cm
ALMANAQUE-Fotográfica proudly presents two body of works of photography and video-art by Ricardo Nicolayevsky. Post-produced throughout two decades, the pieces become the time-tunnel from a poetic production process transcending words. Still and moving image from a public and a private world captured 35 years ago —at a gone New York— are reborn in another time and place. Lost Photos & NYC’83 proposes a dialogue with a present that threatens freedom of speech and human rights in a new status-quo. A photography series with intimate and enigmatic images, while the NYC’83 is a video-art portrait where the public and the private realms melt on the streets of the city open to all possibilities. The Lost Photos series —experimental by nature— has been mounted in a classic style, so its narrative and poetry may mimics with abstraction and found fortune. The NYC’83 video-art portrait captures the Punk and New Wave spirit of a young Nicolayevsky recording the idyllic XX century’s Metropolis. Late in 2016, the Museum of Modern Art of New York (MoMA) acquired the Lost Portraits series, to which NYC’83 belongs, a total portrait featuring its streets, inhabit tans and the author. Time is the prime material for these productions. As Nicolayevsky remarks in one of his aphorisms: “Es imposible matar el tiempo sin herirlo” (“It is impossible to kill time without hurting it”).
Approximate view with unframed print. Ask for exact available dimensions
Ricardo Nicolayevsky
Lost Photos 05
1983 - 2016
Ed. 7 + 2 A.P.
Archival pigment print
24 x 16 cm
ALMANAQUE-Fotográfica proudly presents two body of works of photography and video-art by Ricardo Nicolayevsky. Post-produced throughout two decades, the pieces become the time-tunnel from a poetic production process transcending words. Still and moving image from a public and a private world captured 35 years ago —at a gone New York— are reborn in another time and place. Lost Photos & NYC’83 proposes a dialogue with a present that threatens freedom of speech and human rights in a new status-quo. A photography series with intimate and enigmatic images, while the NYC’83 is a video-art portrait where the public and the private realms melt on the streets of the city open to all possibilities. The Lost Photos series —experimental by nature— has been mounted in a classic style, so its narrative and poetry may mimics with abstraction and found fortune. The NYC’83 video-art portrait captures the Punk and New Wave spirit of a young Nicolayevsky recording the idyllic XX century’s Metropolis. Late in 2016, the Museum of Modern Art of New York (MoMA) acquired the Lost Portraits series, to which NYC’83 belongs, a total portrait featuring its streets, inhabit tans and the author. Time is the prime material for these productions. As Nicolayevsky remarks in one of his aphorisms: “Es imposible matar el tiempo sin herirlo” (“It is impossible to kill time without hurting it”).
Approximate view with unframed print. Ask for exact available dimensions
Ricardo Nicolayevsky
Lost Photos 03
1983 - 2016
Ed. 7 + 2 A.P.
Archival pigment print
24 x 16 cm
ALMANAQUE-Fotográfica proudly presents two body of works of photography and video-art by Ricardo Nicolayevsky. Post-produced throughout two decades, the pieces become the time-tunnel from a poetic production process transcending words. Still and moving image from a public and a private world captured 35 years ago —at a gone New York— are reborn in another time and place. Lost Photos & NYC’83 proposes a dialogue with a present that threatens freedom of speech and human rights in a new status-quo. A photography series with intimate and enigmatic images, while the NYC’83 is a video-art portrait where the public and the private realms melt on the streets of the city open to all possibilities. The Lost Photos series —experimental by nature— has been mounted in a classic style, so its narrative and poetry may mimics with abstraction and found fortune. The NYC’83 video-art portrait captures the Punk and New Wave spirit of a young Nicolayevsky recording the idyllic XX century’s Metropolis. Late in 2016, the Museum of Modern Art of New York (MoMA) acquired the Lost Portraits series, to which NYC’83 belongs, a total portrait featuring its streets, inhabit tans and the author. Time is the prime material for these productions. As Nicolayevsky remarks in one of his aphorisms: “Es imposible matar el tiempo sin herirlo” (“It is impossible to kill time without hurting it”).
Approximate view with unframed print. Ask for exact available dimensions
Ricardo Nicolayevsky
Lost Photos 02
1983 - 2016
Ed. 7 + 2 A.P.
Archival pigment print
24 x 16 cm
ALMANAQUE-Fotográfica proudly presents two body of works of photography and video-art by Ricardo Nicolayevsky. Post-produced throughout two decades, the pieces become the time-tunnel from a poetic production process transcending words. Still and moving image from a public and a private world captured 35 years ago —at a gone New York— are reborn in another time and place. Lost Photos & NYC’83 proposes a dialogue with a present that threatens freedom of speech and human rights in a new status-quo. A photography series with intimate and enigmatic images, while the NYC’83 is a video-art portrait where the public and the private realms melt on the streets of the city open to all possibilities. The Lost Photos series —experimental by nature— has been mounted in a classic style, so its narrative and poetry may mimics with abstraction and found fortune. The NYC’83 video-art portrait captures the Punk and New Wave spirit of a young Nicolayevsky recording the idyllic XX century’s Metropolis. Late in 2016, the Museum of Modern Art of New York (MoMA) acquired the Lost Portraits series, to which NYC’83 belongs, a total portrait featuring its streets, inhabit tans and the author. Time is the prime material for these productions. As Nicolayevsky remarks in one of his aphorisms: “Es imposible matar el tiempo sin herirlo” (“It is impossible to kill time without hurting it”).
Approximate view with unframed print. Ask for exact available dimensions
Lost Photos: Self-landscape
65 x 55 cm.
Silver on gelatin.
Edition 3. Modern.
47 x 40 cm
Poster / Archival pigment print on photographic cellulose. Fine-art Print.
Special Edition of 20 + 2 P.A.
47 x 40 cm
ALMANAQUE-Fotográfica proudly presents two body of works of photography and video-art by Ricardo Nicolayevsky. Post-produced throughout two decades, the pieces become the time-tunnel from a poetic production process transcending words. Still and moving image from a public and a private world captured 35 years ago —at a gone New York— are reborn in another time and place. Lost Photos & NYC’83 proposes a dialogue with a present that threatens freedom of speech and human rights in a new status-quo. A photography series with intimate and enigmatic images, while the NYC’83 is a video-art portrait where the public and the private realms melt on the streets of the city open to all possibilities. The Lost Photos series —experimental by nature— has been mounted in a classic style, so its narrative and poetry may mimics with abstraction and found fortune. The NYC’83 video-art portrait captures the Punk and New Wave spirit of a young Nicolayevsky recording the idyllic XX century’s Metropolis. Late in 2016, the Museum of Modern Art of New York (MoMA) acquired the Lost Portraits series, to which NYC’83 belongs, a total portrait featuring its streets, inhabit tans and the author. Time is the prime material for these productions. As Nicolayevsky remarks in one of his aphorisms: “Es imposible matar el tiempo sin herirlo” (“It is impossible to kill time without hurting it”).
Approximate view with unframed print. Ask for exact available dimensions
Lost Photos: NYC´83
65 x 55 cm.
Silver on gelatin.
Edition 3. Modern.
47 x 40 cm
Poster / Archival pigment print on photographic cellulose. Fine-art Print.
Special Edition of 20 + 2 P.A.
65 x 55 cm
ALMANAQUE-Fotográfica proudly presents two body of works of photography and video-art by Ricardo Nicolayevsky. Post-produced throughout two decades, the pieces become the time-tunnel from a poetic production process transcending words. Still and moving image from a public and a private world captured 35 years ago —at a gone New York— are reborn in another time and place. Lost Photos & NYC’83 proposes a dialogue with a present that threatens freedom of speech and human rights in a new status-quo. A photography series with intimate and enigmatic images, while the NYC’83 is a video-art portrait where the public and the private realms melt on the streets of the city open to all possibilities. The Lost Photos series —experimental by nature— has been mounted in a classic style, so its narrative and poetry may mimics with abstraction and found fortune. The NYC’83 video-art portrait captures the Punk and New Wave spirit of a young Nicolayevsky recording the idyllic XX century’s Metropolis. Late in 2016, the Museum of Modern Art of New York (MoMA) acquired the Lost Portraits series, to which NYC’83 belongs, a total portrait featuring its streets, inhabit tans and the author. Time is the prime material for these productions. As Nicolayevsky remarks in one of his aphorisms: “Es imposible matar el tiempo sin herirlo” (“It is impossible to kill time without hurting it”).
Approximate view with unframed print. Ask for exact available dimensions
NYC – 83. VIDEOART PORTRAIT
1983-2009
Ed. 5 + 2 A.P.
SUPER 8 FILM TRANSFERRED TO VIDEO DIGITALLY REMASTERIZED.
2’ 38”
ALMANAQUE-Fotográfica proudly presents two body of works of photography and video-art by Ricardo Nicolayevsky. Post-produced throughout two decades, the pieces become the time-tunnel from a poetic production process transcending words. Still and moving image from a public and a private world captured 35 years ago —at a gone New York— are reborn in another time and place. Lost Photos & NYC’83 proposes a dialogue with a present that threatens freedom of speech and human rights in a new status-quo. A photography series with intimate and enigmatic images, while the NYC’83 is a video-art portrait where the public and the private realms melt on the streets of the city open to all possibilities. The Lost Photos series —experimental by nature— has been mounted in a classic style, so its narrative and poetry may mimics with abstraction and found fortune. The NYC’83 video-art portrait captures the Punk and New Wave spirit of a young Nicolayevsky recording the idyllic XX century’s Metropolis. Late in 2016, the Museum of Modern Art of New York (MoMA) acquired the Lost Portraits series, to which NYC’83 belongs, a total portrait featuring its streets, inhabit tans and the author. Time is the prime material for these productions. As Nicolayevsky remarks in one of his aphorisms: “Es imposible matar el tiempo sin herirlo” (“It is impossible to kill time without hurting it”).
Approximate view with unframed print. Ask for exact available dimensions
Sakiko Nomura
Night Flight
2008
Archival pigment print
Ed. 7 + 2 A.P.
25,4 x 20,3 cm
Nude | A room | Flowers’ Series, this works are composed out of images, both sensual and dark, using both black and white and colour photographs, exuding fleshly and sensual emotions throughout each work.
Approximate view with unframed print. Ask for exact available dimensions
Sakiko Nomura
Flower: Red
2012
Ed. 7 + 2 A.P
Archival pigment print
40,6 x 50,8 cm
Nude | A room | Flowers’ Series, this works are composed out of images, both sensual and dark, using both black and white and colour photographs, exuding fleshly and sensual emotions throughout each work.
Approximate view with unframed print. Ask for exact available dimensions