Material Art Fair 2017

Ben de Biel

Club Berlin: DJ Gesaffelstein im Boiler Room

2010
Ed. 12 + 2 A.P.
Archival pigment print

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5.00 m 3.00 m

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x

Jon Cazenave

Ama Lur: Uraitz 03

2015
Ed. 6 + 2 A.P.
Archival pigment print

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AMA LUR (expuesta en Body Matters) es el capítulo final de su proyecto de investigación Galerna que inició hace 8 años. Cazenave retrocede aquí hasta el paleolítico superior y centra su estudio en el mundo simbólico y ritual del arte rupestre de ambas vertientes de la cordillera pirenaica para reinterpretar el rastro de los seres humanos que vivían en este entorno. “En vasco, URAITZ significa Agua Piedra. La materia pétrea es moldeada por el agua y es el agua la que emulsiona el pigmento rojo obtenido de la piedra que después aplico. EME OBENE significa Obene hembra. Obene es el nombre de un lugar en el bosque donde realicé esta fotografía. SAKON significa PROFUNDO. El agujero y el agua tienen el simbolismo femenino de profundidad y gestación”.

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5.00 m 3.00 m

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x

Jon Cazenave

Ama Lur: Uraitz 02

2015
Ed. 6 + 2 A.P.
Archival pigment print

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AMA LUR (expuesta en Body Matters) es el capítulo final de su proyecto de investigación Galerna que inició hace 8 años. Cazenave retrocede aquí hasta el paleolítico superior y centra su estudio en el mundo simbólico y ritual del arte rupestre de ambas vertientes de la cordillera pirenaica para reinterpretar el rastro de los seres humanos que vivían en este entorno. “En vasco, URAITZ significa Agua Piedra. La materia pétrea es moldeada por el agua y es el agua la que emulsiona el pigmento rojo obtenido de la piedra que después aplico. EME OBENE significa Obene hembra. Obene es el nombre de un lugar en el bosque donde realicé esta fotografía. SAKON significa PROFUNDO. El agujero y el agua tienen el simbolismo femenino de profundidad y gestación”.

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Jon Cazenave

Ama Lur: Uraitz 01

2015Ed. 6 + 2 A.P. Archival pigment print

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AMA LUR (expuesta en Body Matters) es el capítulo final de su proyecto de investigación Galerna que inició hace 8 años. Cazenave retrocede aquí hasta el paleolítico superior y centra su estudio en el mundo simbólico y ritual del arte rupestre de ambas vertientes de la cordillera pirenaica para reinterpretar el rastro de los seres humanos que vivían en este entorno. “En vasco, URAITZ significa Agua Piedra. La materia pétrea es moldeada por el agua y es el agua la que emulsiona el pigmento rojo obtenido de la piedra que después aplico. EME OBENE significa Obene hembra. Obene es el nombre de un lugar en el bosque donde realicé esta fotografía. SAKON significa PROFUNDO. El agujero y el agua tienen el simbolismo femenino de profundidad y gestación”.

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Konstantin Grebnev

Abstract II

2015
Ed. 10 + 2 A.P.
Archival pigment print

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Abstract (2015) is a series of studies and experiments that combine monochrome painting and photography. Drawing and making various manipulations with ink on glass, Grebnev put himself in the position of an observer of the process. By minimizing his influence on the formation of the work, he allows the picture to create itself. As he moves the glass, the ink spreads. He uses his camera to catch the moment of the reality during this process, and then he captures it before in the next moment the picture is changing.

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5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Konstantin Grebnev

Abstract I

2015
Ed. 10 + 2 A.P.
Archival pigment print

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Abstract (2015) is a series of studies and experiments that combine monochrome painting and photography. Drawing and making various manipulations with ink on glass, Grebnev put himself in the position of an observer of the process. By minimizing his influence on the formation of the work, he allows the picture to create itself. As he moves the glass, the ink spreads. He uses his camera to catch the moment of the reality during this process, and then he captures it before in the next moment the picture is changing.

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Secret Ceremony

2012
Ed. 7 + 2 A.P.
Digital print on photographic paper

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Domestic Fine Arts. Bajo el pseudónimo Domestic Fine Arts, Jésus Léon ha combinado fotografía, música y prácticas periodísticas por más de quince años. Su imaginario en el que muestra a ‘modelos’ posee no solo el glamour de una revista de moda, sino que permite personificar escenas profundamente románticas. En el trabajo de León Hernández, la intensidad de la propia vida se vuelve frágil y fugaz, para mostrar una versión oscura del amor, la oscuridad y la destrucción.

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5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Ricardo Nicolayevsky

Lost Photos: Red 03

1983 - 2017
Ed. 7 + 2 A.P.
Archival pigment print

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ALMANAQUE-Fotográfica proudly presents two body of works of photography and video-art by Ricardo Nicolayevsky.  Post-produced throughout two decades, the pieces become the time-tunnel from a poetic production process transcending words. Still and moving image from a public and a private world captured 35 years ago —at a gone New York— are reborn in another time and place. Lost Photos & NYC’83 proposes a dialogue with a present that threatens freedom of speech and human rights in a new status-quo. A photography series with intimate and enigmatic images, while the NYC’83 is a video-art portrait where the public and the private realms melt on the streets of the city open to all possibilities. The Lost Photos series —experimental by nature— has been mounted in a classic style, so its narrative and poetry may mimics with abstraction and found fortune. The NYC’83 video-art portrait captures the Punk and New Wave spirit of a young Nicolayevsky recording the idyllic XX century’s Metropolis. Late in 2016, the Museum of Modern Art of New York (MoMA) acquired the Lost Portraits series, to which NYC’83 belongs, a total portrait featuring its streets, inhabit tans and the author. Time is the prime material for these productions. As Nicolayevsky remarks in one of his aphorisms: “Es imposible matar el tiempo sin herirlo” (“It is impossible to kill time without hurting it”).

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Ricardo Nicolayevsky

Lost Photos: Red 02

1983 - 2017
Ed. 7 + 2 A.P.
Archival pigment print

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ALMANAQUE-Fotográfica proudly presents two body of works of photography and video-art by Ricardo Nicolayevsky.  Post-produced throughout two decades, the pieces become the time-tunnel from a poetic production process transcending words. Still and moving image from a public and a private world captured 35 years ago —at a gone New York— are reborn in another time and place. Lost Photos & NYC’83 proposes a dialogue with a present that threatens freedom of speech and human rights in a new status-quo. A photography series with intimate and enigmatic images, while the NYC’83 is a video-art portrait where the public and the private realms melt on the streets of the city open to all possibilities. The Lost Photos series —experimental by nature— has been mounted in a classic style, so its narrative and poetry may mimics with abstraction and found fortune. The NYC’83 video-art portrait captures the Punk and New Wave spirit of a young Nicolayevsky recording the idyllic XX century’s Metropolis. Late in 2016, the Museum of Modern Art of New York (MoMA) acquired the Lost Portraits series, to which NYC’83 belongs, a total portrait featuring its streets, inhabit tans and the author. Time is the prime material for these productions. As Nicolayevsky remarks in one of his aphorisms: “Es imposible matar el tiempo sin herirlo” (“It is impossible to kill time without hurting it”).

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Lost Photos: Red 01

1983 - 2017
Ed. 7 + 2 A.P.
Archival pigment print

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ALMANAQUE-Fotográfica proudly presents two body of works of photography and video-art by Ricardo Nicolayevsky.  Post-produced throughout two decades, the pieces become the time-tunnel from a poetic production process transcending words. Still and moving image from a public and a private world captured 35 years ago —at a gone New York— are reborn in another time and place. Lost Photos & NYC’83 proposes a dialogue with a present that threatens freedom of speech and human rights in a new status-quo. A photography series with intimate and enigmatic images, while the NYC’83 is a video-art portrait where the public and the private realms melt on the streets of the city open to all possibilities. The Lost Photos series —experimental by nature— has been mounted in a classic style, so its narrative and poetry may mimics with abstraction and found fortune. The NYC’83 video-art portrait captures the Punk and New Wave spirit of a young Nicolayevsky recording the idyllic XX century’s Metropolis. Late in 2016, the Museum of Modern Art of New York (MoMA) acquired the Lost Portraits series, to which NYC’83 belongs, a total portrait featuring its streets, inhabit tans and the author. Time is the prime material for these productions. As Nicolayevsky remarks in one of his aphorisms: “Es imposible matar el tiempo sin herirlo” (“It is impossible to kill time without hurting it”).

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Ricardo Nicolayevsky

Lost Photos 06

1983 - 2016
Ed. 7 + 2 A.P.
Archival pigment print

More
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inquire

ALMANAQUE-Fotográfica proudly presents two body of works of photography and video-art by Ricardo Nicolayevsky.  Post-produced throughout two decades, the pieces become the time-tunnel from a poetic production process transcending words. Still and moving image from a public and a private world captured 35 years ago —at a gone New York— are reborn in another time and place. Lost Photos & NYC’83 proposes a dialogue with a present that threatens freedom of speech and human rights in a new status-quo. A photography series with intimate and enigmatic images, while the NYC’83 is a video-art portrait where the public and the private realms melt on the streets of the city open to all possibilities. The Lost Photos series —experimental by nature— has been mounted in a classic style, so its narrative and poetry may mimics with abstraction and found fortune. The NYC’83 video-art portrait captures the Punk and New Wave spirit of a young Nicolayevsky recording the idyllic XX century’s Metropolis. Late in 2016, the Museum of Modern Art of New York (MoMA) acquired the Lost Portraits series, to which NYC’83 belongs, a total portrait featuring its streets, inhabit tans and the author. Time is the prime material for these productions. As Nicolayevsky remarks in one of his aphorisms: “Es imposible matar el tiempo sin herirlo” (“It is impossible to kill time without hurting it”).

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Ricardo Nicolayevsky

Lost Photos 01

1983 - 2016
Ed. 7 + 2 A.P.
Archival pigment print

More
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inquire

ALMANAQUE-Fotográfica proudly presents two body of works of photography and video-art by Ricardo Nicolayevsky.  Post-produced throughout two decades, the pieces become the time-tunnel from a poetic production process transcending words. Still and moving image from a public and a private world captured 35 years ago —at a gone New York— are reborn in another time and place. Lost Photos & NYC’83 proposes a dialogue with a present that threatens freedom of speech and human rights in a new status-quo. A photography series with intimate and enigmatic images, while the NYC’83 is a video-art portrait where the public and the private realms melt on the streets of the city open to all possibilities. The Lost Photos series —experimental by nature— has been mounted in a classic style, so its narrative and poetry may mimics with abstraction and found fortune. The NYC’83 video-art portrait captures the Punk and New Wave spirit of a young Nicolayevsky recording the idyllic XX century’s Metropolis. Late in 2016, the Museum of Modern Art of New York (MoMA) acquired the Lost Portraits series, to which NYC’83 belongs, a total portrait featuring its streets, inhabit tans and the author. Time is the prime material for these productions. As Nicolayevsky remarks in one of his aphorisms: “Es imposible matar el tiempo sin herirlo” (“It is impossible to kill time without hurting it”).

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Ricardo Nicolayevsky

Lost Photos 04

1983 - 2016
Ed. 7 + 2 A.P.
Archival pigment print

More
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inquire

ALMANAQUE-Fotográfica proudly presents two body of works of photography and video-art by Ricardo Nicolayevsky.  Post-produced throughout two decades, the pieces become the time-tunnel from a poetic production process transcending words. Still and moving image from a public and a private world captured 35 years ago —at a gone New York— are reborn in another time and place. Lost Photos & NYC’83 proposes a dialogue with a present that threatens freedom of speech and human rights in a new status-quo. A photography series with intimate and enigmatic images, while the NYC’83 is a video-art portrait where the public and the private realms melt on the streets of the city open to all possibilities. The Lost Photos series —experimental by nature— has been mounted in a classic style, so its narrative and poetry may mimics with abstraction and found fortune. The NYC’83 video-art portrait captures the Punk and New Wave spirit of a young Nicolayevsky recording the idyllic XX century’s Metropolis. Late in 2016, the Museum of Modern Art of New York (MoMA) acquired the Lost Portraits series, to which NYC’83 belongs, a total portrait featuring its streets, inhabit tans and the author. Time is the prime material for these productions. As Nicolayevsky remarks in one of his aphorisms: “Es imposible matar el tiempo sin herirlo” (“It is impossible to kill time without hurting it”).

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Ricardo Nicolayevsky

Lost Photos 05

1983 - 2016
Ed. 7 + 2 A.P.
Archival pigment print

More
View in Room
inquire

ALMANAQUE-Fotográfica proudly presents two body of works of photography and video-art by Ricardo Nicolayevsky.  Post-produced throughout two decades, the pieces become the time-tunnel from a poetic production process transcending words. Still and moving image from a public and a private world captured 35 years ago —at a gone New York— are reborn in another time and place. Lost Photos & NYC’83 proposes a dialogue with a present that threatens freedom of speech and human rights in a new status-quo. A photography series with intimate and enigmatic images, while the NYC’83 is a video-art portrait where the public and the private realms melt on the streets of the city open to all possibilities. The Lost Photos series —experimental by nature— has been mounted in a classic style, so its narrative and poetry may mimics with abstraction and found fortune. The NYC’83 video-art portrait captures the Punk and New Wave spirit of a young Nicolayevsky recording the idyllic XX century’s Metropolis. Late in 2016, the Museum of Modern Art of New York (MoMA) acquired the Lost Portraits series, to which NYC’83 belongs, a total portrait featuring its streets, inhabit tans and the author. Time is the prime material for these productions. As Nicolayevsky remarks in one of his aphorisms: “Es imposible matar el tiempo sin herirlo” (“It is impossible to kill time without hurting it”).

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Ricardo Nicolayevsky

Lost Photos 03

1983 - 2016
Ed. 7 + 2 A.P.
Archival pigment print

More
View in Room
inquire

ALMANAQUE-Fotográfica proudly presents two body of works of photography and video-art by Ricardo Nicolayevsky.  Post-produced throughout two decades, the pieces become the time-tunnel from a poetic production process transcending words. Still and moving image from a public and a private world captured 35 years ago —at a gone New York— are reborn in another time and place. Lost Photos & NYC’83 proposes a dialogue with a present that threatens freedom of speech and human rights in a new status-quo. A photography series with intimate and enigmatic images, while the NYC’83 is a video-art portrait where the public and the private realms melt on the streets of the city open to all possibilities. The Lost Photos series —experimental by nature— has been mounted in a classic style, so its narrative and poetry may mimics with abstraction and found fortune. The NYC’83 video-art portrait captures the Punk and New Wave spirit of a young Nicolayevsky recording the idyllic XX century’s Metropolis. Late in 2016, the Museum of Modern Art of New York (MoMA) acquired the Lost Portraits series, to which NYC’83 belongs, a total portrait featuring its streets, inhabit tans and the author. Time is the prime material for these productions. As Nicolayevsky remarks in one of his aphorisms: “Es imposible matar el tiempo sin herirlo” (“It is impossible to kill time without hurting it”).

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Ricardo Nicolayevsky

Lost Photos 02

1983 - 2016
Ed. 7 + 2 A.P.
Archival pigment print

More
View in Room
inquire

ALMANAQUE-Fotográfica proudly presents two body of works of photography and video-art by Ricardo Nicolayevsky.  Post-produced throughout two decades, the pieces become the time-tunnel from a poetic production process transcending words. Still and moving image from a public and a private world captured 35 years ago —at a gone New York— are reborn in another time and place. Lost Photos & NYC’83 proposes a dialogue with a present that threatens freedom of speech and human rights in a new status-quo. A photography series with intimate and enigmatic images, while the NYC’83 is a video-art portrait where the public and the private realms melt on the streets of the city open to all possibilities. The Lost Photos series —experimental by nature— has been mounted in a classic style, so its narrative and poetry may mimics with abstraction and found fortune. The NYC’83 video-art portrait captures the Punk and New Wave spirit of a young Nicolayevsky recording the idyllic XX century’s Metropolis. Late in 2016, the Museum of Modern Art of New York (MoMA) acquired the Lost Portraits series, to which NYC’83 belongs, a total portrait featuring its streets, inhabit tans and the author. Time is the prime material for these productions. As Nicolayevsky remarks in one of his aphorisms: “Es imposible matar el tiempo sin herirlo” (“It is impossible to kill time without hurting it”).

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Lost Photos: Self-landscape

1983
2 formatos

1 >
65 x 55 cm.
Silver on gelatin.
Edition 3. Modern.

2>
47 x 40 cm
Poster / Archival pigment print on photographic cellulose. Fine-art Print.
Special Edition of 20 + 2 P.A.

More
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inquire

ALMANAQUE-Fotográfica proudly presents two body of works of photography and video-art by Ricardo Nicolayevsky.  Post-produced throughout two decades, the pieces become the time-tunnel from a poetic production process transcending words. Still and moving image from a public and a private world captured 35 years ago —at a gone New York— are reborn in another time and place. Lost Photos & NYC’83 proposes a dialogue with a present that threatens freedom of speech and human rights in a new status-quo. A photography series with intimate and enigmatic images, while the NYC’83 is a video-art portrait where the public and the private realms melt on the streets of the city open to all possibilities. The Lost Photos series —experimental by nature— has been mounted in a classic style, so its narrative and poetry may mimics with abstraction and found fortune. The NYC’83 video-art portrait captures the Punk and New Wave spirit of a young Nicolayevsky recording the idyllic XX century’s Metropolis. Late in 2016, the Museum of Modern Art of New York (MoMA) acquired the Lost Portraits series, to which NYC’83 belongs, a total portrait featuring its streets, inhabit tans and the author. Time is the prime material for these productions. As Nicolayevsky remarks in one of his aphorisms: “Es imposible matar el tiempo sin herirlo” (“It is impossible to kill time without hurting it”).

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Lost Photos: NYC Portrait

1983
2 formatos

1 >
65 x 55 cm.
Silver on gelatin.
Edition 3. Modern.

2>
47 x 40 cm
Poster / Archival pigment print on photographic cellulose. Fine-art Print.
Special Edition of 20 + 2 P.A.

More
View in Room
inquire

ALMANAQUE-Fotográfica proudly presents two body of works of photography and video-art by Ricardo Nicolayevsky.  Post-produced throughout two decades, the pieces become the time-tunnel from a poetic production process transcending words. Still and moving image from a public and a private world captured 35 years ago —at a gone New York— are reborn in another time and place. Lost Photos & NYC’83 proposes a dialogue with a present that threatens freedom of speech and human rights in a new status-quo. A photography series with intimate and enigmatic images, while the NYC’83 is a video-art portrait where the public and the private realms melt on the streets of the city open to all possibilities. The Lost Photos series —experimental by nature— has been mounted in a classic style, so its narrative and poetry may mimics with abstraction and found fortune. The NYC’83 video-art portrait captures the Punk and New Wave spirit of a young Nicolayevsky recording the idyllic XX century’s Metropolis. Late in 2016, the Museum of Modern Art of New York (MoMA) acquired the Lost Portraits series, to which NYC’83 belongs, a total portrait featuring its streets, inhabit tans and the author. Time is the prime material for these productions. As Nicolayevsky remarks in one of his aphorisms: “Es imposible matar el tiempo sin herirlo” (“It is impossible to kill time without hurting it”).

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

NYC – 83. VIDEOART PORTRAIT

1983-2009
Ed. 5 + 2 A.P.
SUPER 8 FILM TRANSFERRED TO VIDEO DIGITALLY REMASTERIZED.
2’ 38”

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ALMANAQUE-Fotográfica proudly presents two body of works of photography and video-art by Ricardo Nicolayevsky.  Post-produced throughout two decades, the pieces become the time-tunnel from a poetic production process transcending words. Still and moving image from a public and a private world captured 35 years ago —at a gone New York— are reborn in another time and place. Lost Photos & NYC’83 proposes a dialogue with a present that threatens freedom of speech and human rights in a new status-quo. A photography series with intimate and enigmatic images, while the NYC’83 is a video-art portrait where the public and the private realms melt on the streets of the city open to all possibilities. The Lost Photos series —experimental by nature— has been mounted in a classic style, so its narrative and poetry may mimics with abstraction and found fortune. The NYC’83 video-art portrait captures the Punk and New Wave spirit of a young Nicolayevsky recording the idyllic XX century’s Metropolis. Late in 2016, the Museum of Modern Art of New York (MoMA) acquired the Lost Portraits series, to which NYC’83 belongs, a total portrait featuring its streets, inhabit tans and the author. Time is the prime material for these productions. As Nicolayevsky remarks in one of his aphorisms: “Es imposible matar el tiempo sin herirlo” (“It is impossible to kill time without hurting it”).

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Sakiko Nomura

Night Flight

2008
Archival pigment print
Ed. 7 + 2 A.P.

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Nude | A room | Flowers’ Series,  this works are composed out of images, both sensual and dark, using both black and white and colour photographs, exuding fleshly and sensual emotions throughout each work.

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x

Sakiko Nomura

Flower: Red

2012
Ed. 7 + 2 A.P
Archival pigment print

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Nude | A room | Flowers’ Series,  this works are composed out of images, both sensual and dark, using both black and white and colour photographs, exuding fleshly and sensual emotions throughout each work.

Please provide name and email for information


5.00 m 3.00 m

Approximate view with unframed print. Ask for exact available dimensions

x