José Luis Cuevas

New Era (2009-14) suggests a fiction about a world where man passes spiritually taciturn ways in which predominates despair with the desire for liberation and transcendence. The series evokes the malaise of a society in which man is constantly faced with his own evil and overcomes their fears. The images evoke the metaphor of the spiral that renews what withers and blooms again and again, before a symbolic -and distant, quasi-futurist rebirth of man.

New Era (2009-14) suggests a fiction about a world where man passes spiritually taciturn ways in which predominates despair with the desire for liberation and transcendence. The series evokes the malaise of a society in which man is constantly faced with his own evil and overcomes their fears. The images evoke the metaphor of the spiral that renews what withers and blooms again and again, before a symbolic -and distant, quasi-futurist rebirth of man.

New Era (2009-14) suggests a fiction about a world where man passes spiritually taciturn ways in which predominates despair with the desire for liberation and transcendence. The series evokes the malaise of a society in which man is constantly faced with his own evil and overcomes their fears. The images evoke the metaphor of the spiral that renews what withers and blooms again and again, before a symbolic -and distant, quasi-futurist rebirth of man.

New Era (2009-14) suggests a fiction about a world where man passes spiritually taciturn ways in which predominates despair with the desire for liberation and transcendence. The series evokes the malaise of a society in which man is constantly faced with his own evil and overcomes their fears. The images evoke the metaphor of the spiral that renews what withers and blooms again and again, before a symbolic -and distant, quasi-futurist rebirth of man.

New Era (2009-14) suggests a fiction about a world where man passes spiritually taciturn ways in which predominates despair with the desire for liberation and transcendence. The series evokes the malaise of a society in which man is constantly faced with his own evil and overcomes their fears. The images evoke the metaphor of the spiral that renews what withers and blooms again and again, before a symbolic -and distant, quasi-futurist rebirth of man.

New Era (2009-14) suggests a fiction about a world where man passes spiritually taciturn ways in which predominates despair with the desire for liberation and transcendence. The series evokes the malaise of a society in which man is constantly faced with his own evil and overcomes their fears. The images evoke the metaphor of the spiral that renews what withers and blooms again and again, before a symbolic -and distant, quasi-futurist rebirth of man.

New Era (2009-14) suggests a fiction about a world where man passes spiritually taciturn ways in which predominates despair with the desire for liberation and transcendence. The series evokes the malaise of a society in which man is constantly faced with his own evil and overcomes their fears. The images evoke the metaphor of the spiral that renews what withers and blooms again and again, before a symbolic -and distant, quasi-futurist rebirth of man.

New Era (2009-14) suggests a fiction about a world where man passes spiritually taciturn ways in which predominates despair with the desire for liberation and transcendence. The series evokes the malaise of a society in which man is constantly faced with his own evil and overcomes their fears. The images evoke the metaphor of the spiral that renews what withers and blooms again and again, before a symbolic -and distant, quasi-futurist rebirth of man.

New Era (2009-14) suggests a fiction about a world where man passes spiritually taciturn ways in which predominates despair with the desire for liberation and transcendence. The series evokes the malaise of a society in which man is constantly faced with his own evil and overcomes their fears. The images evoke the metaphor of the spiral that renews what withers and blooms again and again, before a symbolic -and distant, quasi-futurist rebirth of man.

Observations on the resistance (2014-16) is a series exploring human’s nature and destiny as a physical-emotional vulnerable subject. The images depict an approximation to mankind fragility in constant erosion upon their existence vicissitudes in time and space. Cuevas’ Observations question the constant degradation of a social and economic system which analyzes, organizes, controls, uses, dismantles and replaces once its resistance ability is diminished. Thus, Observations on the bodies’ resistance lays out a symbolic look to some of Mexico City’s inhabitants —accomplices of their own violence and tragedy — shown as characters that exist as co-perpetrators of the system that produces them. This body of works depicts our capacity to resist our own frictions and weights in our backs.

Observations on the resistance (2014-16) is a series exploring human’s nature and destiny as a physical-emotional vulnerable subject. The images depict an approximation to mankind fragility in constant erosion upon their existence vicissitudes in time and space. Cuevas’ Observations question the constant degradation of a social and economic system which analyzes, organizes, controls, uses, dismantles and replaces once its resistance ability is diminished. Thus, Observations on the bodies’ resistance lays out a symbolic look to some of Mexico City’s inhabitants —accomplices of their own violence and tragedy — shown as characters that exist as co-perpetrators of the system that produces them. This body of works depicts our capacity to resist our own frictions and weights in our backs.

Observations on the resistance(2014-16) is a series exploring human’s nature and destiny as a physical-emotional vulnerable subject. The images depict an approximation to mankind fragility in constant erosion upon their existence vicissitudes in time and space. Cuevas’ Observations question the constant degradation of a social and economic system which analyzes, organizes, controls, uses, dismantles and replaces once its resistance ability is diminished. Thus, Observations on the bodies’ resistance lays out a symbolic look to some of Mexico City’s inhabitants —accomplices of their own violence and tragedy — shown as characters that exist as co-perpetrators of the system that produces them. This body of works depicts our capacity to resist our own frictions and weights in our backs.

Observations on the resistance (2014-16) is a series exploring human’s nature and destiny as a physical-emotional vulnerable subject. The images depict an approximation to mankind fragility in constant erosion upon their existence vicissitudes in time and space. Cuevas’ Observations question the constant degradation of a social and economic system which analyzes, organizes, controls, uses, dismantles and replaces once its resistance ability is diminished. Thus, Observations on the bodies’ resistance lays out a symbolic look to some of Mexico City’s inhabitants —accomplices of their own violence and tragedy — shown as characters that exist as co-perpetrators of the system that produces them. This body of works depicts our capacity to resist our own frictions and weights in our backs.

Observations on the resistance (2014-16) is a series exploring human’s nature and destiny as a physical-emotional vulnerable subject. The images depict an approximation to mankind fragility in constant erosion upon their existence vicissitudes in time and space. Cuevas’ Observations question the constant degradation of a social and economic system which analyzes, organizes, controls, uses, dismantles and replaces once its resistance ability is diminished. Thus, Observations on the bodies’ resistance lays out a symbolic look to some of Mexico City’s inhabitants —accomplices of their own violence and tragedy — shown as characters that exist as co-perpetrators of the system that produces them. This body of works depicts our capacity to resist our own frictions and weights in our backs.